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If you’re a user of certain Nikon cameras and want to find a photograph or two from a specific day there is an easy way to do it.

Let’s say you’ve just returned from a photo-filled vacation and want to look for a favorite photo from a specific day of the vacation. You snapped so many photos, however, that previewing all the photos on your camera would not only can take time but battery power as well. One answer is to use the Calendar Playback feature found on certain Nikon cameras such as the D3000 and D5000.



Nikon’s Calendar Playback is a quick way to find a photofrom a specific day.

To start, press the PREVIEW button on the back of your camera. (It’s to the top left of the LCD monitor.) This will display a photo you snapped in the LCD monitor. Then press the THUMBNAIL-PLAYBACK-ZOOM OUT button. (It’s to the left of the LCD monitor next to the big question mark (?) symbol.) Press the button until you see a calendar.

Notice the little thumbnails appearing on the dates you took photos. Press the multi selector to select a specific date on the calendar. Press the THUMBNAIL-PLAYBACK-ZOOM OUT button to display thumbnails of the photos corresponding to that date. These thumbnails will appear on the right side of the LCD monitor (highlighted in yellow in the following photo). Press the up or down multi selector to select the photo you want to preview. Then press the OK button to preview the picture in the LCD monitor.



Thumbnails of the photos corresponding to the date on the calendar

Press the PREVIEW button again if the LCD monitor goes blank.

This is a simple and quick way of finding a photo from a certain date while the memory card is still in the camera.

Written by Scott Slaughter

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Portrait Tip # 3

10th December 2010

Portraits are one the most common type of photographs. We’d like to share some tips for taking better people pictures.

The “Eyes” Have It

When taking pictures of people, most viewers will tell you that it’s the eyes that catch and hold their attention. Here’s a few examples of how the eyes make a difference.


Here we have filled the viewfinder with the infant’s face. However her eyes are focused downward – pointing away from the photo.

Here the young girl is looking directly at the photographer. While she sports a serious visage, her eyes draw me into the photo.

This young lady is also looking directly at the photographer. Her large eyes become the center of attention and help “make the photo work”.

Here we’ve decided to move in and eliminate the forehead and the chin. The result is a photo that totally emphasizes the child’s bright, compelling eyes.

 

I think you’ll be rewarded if you are patient and wait for the subject’s eyes to meet the lens.

A complimentary tip – long ago my mentor taught me that before pressing the shutter button, I should make sure that the lens was carefully focused on the eyes. This has been remained essential words of advice since.

Written by: Arnie Lee

 


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On the Equipment Horizon

06th December 2010

At the PhotoPlus Expo this past September I stopped by the Sony booth. Having received pre-show information, I wanted to try their pair of new cameras – the Alpha A33 and A55. While both look and function like DSLRs, a more appropriate term might be DVF – Digital ViewFinder – since neither uses a reflex mirror. Instead, they sport a fixed translucent “mirror” that sends a small portion of the incoming image to the viewfinder and the remainder to the “film” light sensor.

This technology isn’t new. In the early 1960’s Canon made a model called the Pellix using a similar scheme with a pellicle mirror. My uncle bought this camera back then, one of the first to have Through The Lens metering (TTL) and it served him well for many years.

Sony believes that their updated translucent mirror has life in the 21st century. There are several advantages to such an arrangement. First, a static mirror eliminates the reflex mechanism providing a space, weight and cost savings. Removing this mechanical assembly also allows for a higher frame rate. Next, the electronics measuring the auto exposure remain uninterrupted from frame to frame giving instant responses to varying changes in lighting. Similarly, the auto focus system stays 100% available – a very important consideration for high speed continuous shooting.

(more…)

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