The Wedding & Portrait Photography International Conference and Expo

Can you guess who the target audience is for this convention?

For those professionals who want to enhance their skills – posing, lighting, equipment, marketing – the WPPI is a week-long “university” taught by experts. This year’s WPPI took place March 3rd through March 10th at the MGM Conference Center in Las Vegas. WPPI organized more than 250 classes and seminars for 13,000 anxious attendees. These classes were taught by 175 instructors including notables such as Joe McNally, Tamara Lackey, Lindsay Adler, Roberto Valenzuela, Bambi Cantrell, Hanson Fong, Kevin Kabota, Jerry Ghionis and Gary Fong to name a few.

In addition to the conference, the expo highlighted 270 exhibitors showed the newest cameras, lenses, equipment, lighting, accessories, supplies, marketing material and services. All of the major camera manufacturers will set up booths to demonstrate their latest equipment.

Following is a look at those items that caught my attention at the this year’s WPPI a couple of weeks ago.

Presentations and Seminars There were many opportunities for everyone to learn new posing and lighting techniques right on the expo floor. All of the camera makers and many vendors were holding demonstrations conducted by well-known photographer/educators.
DXO One
This small unit is a camera that works in conjunction with an iPhone. With a large 20mp 1″ sensor and f/1.8 lens you attach it to your iPhone to control settings. It also works “off-phone” if you want a small, lightweight camera. Though small, it can capture RAW images too. I found it very straight-forward to use and the images were quite good considering the convention hall lighting. Suggested price is $499. For more information please visit DXO
MagMod
MagMod makes a set of accessories to improve the quality of light from your flash unit. These include a snoot to narrow the light to a beam, a sphere to diffuse and soften the light and a bounce that reflects the light output and avoid harsh shadows, gel which add various colors to the light and grid to focus the light. What is unique about these accessories is that become part of your flash unit using a magnet for instant attachment. Price for the complete set is $235. For more information please visit MagMod
RL Handscrafts
I received two demos at this booth. One was for their Derringer above left for carrying from 1 to 3 cameras. You wear the strap on both shoulders with wide padded straps that relieve pressure points and back. The straps are adjustable for easy access to any of the cameras. Price is $485. For carrying two cameras, the Clydesdale above right can help you more easily carry your equipment. The strap attaches solidly to the camera’s tripod socket. RL makes several styles differing in weight, padding, air holes for easier breathing, color. Prices start at $205 to $425 for the deluxe version. For more information please visit RL Handcrafts
Sony G Master Lenses
Sony is the undisputed leader of mirrorless cameras. They have been rapidly adding lenses to support their highly acclaimed full-frame models: A7R II and A7S II cameras. Three of Sony’s new lenses made it to WPPI for demoing. These are the 85mm f/1.4 GM, 70-200mm f/2.8 OSS and 24-70mm f/2.8 GM. Prices are $1800, $2900 and $2200 respectively. For the 70-200mm lens, Sony is also releasing 1.4X and 2.0X teleconverters. Sony claims a higher resolution of the G series lenses compared to others and superior auto focus performance. For more information please visit Sony
Spider Holster
Spider makes a holster with a unique locking-clamping device for conveniently carrying your camera at your waist. The holster is adjustable and is worn like a belt to either side. The clamping device is solid and easily slides into the holster for hands-free carriage. Price for the Spider Pro holster is $135. The company also has a variety of heavy duty hand straps that come in a variety of colors. All are made of durable material, attach to the camera with a tripod plate and include a removable wrist strap. Price for the black model is $65 and $75 for other colors. For more information please visit Spider.

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Written by: Arnie Lee
 
 

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New Full Frame Mirrorless

I’ve been using several of Sony’s mirrorless cameras for three years or so. The three models that I regularly use are the NEX5, NEX7 and A6000 each with an APS-C size sensor. All three are compact and lightweight. Both the NEX7 and A6000 have viewfinders – a necessary feature that I expect in an advanced camera.

The A6000 has been my “go-to” camera for the past year. The quality of the images match up to those from the Canon 7D and Nikon D90 but with the added convenience of a noticeably smaller piece of hardware.

With this previous experience with mirrorless equipment, I went to the Sony booth at the Wedding & Portrait Photographers International Expo to have a look at the new full-frame Alpha 7 II.

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The A7II has a full size 24MP sensor in a body that weighs a mere 21 ounces. This compares to the Canon 5D MkIII at 33 ounces or the Nikon D800 at 35 ounces. The physical size of these three cameras are (W x H x D) A7II is 5″ x 3-7/8″ x 2-3/8″ Canon 5D MkIII 6″ x 4.6″ x 3″ Nikon D800 5.7″ x 4.8″ x 3.2″

The A7II shares many of the same features of the A6000 including sweep panorama shooting mode, built in HDR, on board wifi connectivity, electronic viewfinder displays real time adjustments and tilting LCD screen. Unfortunately the A7II does not have a built-in flash as does the A6000. However the A7II records 4K video, sports fast “hybrid” autofocus and 5-axis image stabilization and 5fps still capture.

As far as lenses are concerned, Sony’s mirrorless versions (designated as FE-mount) do not share the same size and weight savings as the A7II body. But given that the body is about a pound less and considerably smaller in size, I felt that the weight savings would be a definite advantage for the type of shooting that I do in the field.

Sony also announced the release of these three lenses for full frame mirrorless:

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The Sony rep also mentioned an upcoming 28mm f/2 lens that will also accept a 16mm fisheye converter and a 21mm ultra wide angle converter.

The suggested price is $2000 and is available about May 1st. For more information about the A7II, please visit Sony.

The bottom line – if you’re looking for a camera that provides the high resolution that only the mid-size format were able to deliver, the Canon 5DS (and 5DSR) has now lowered the entry price by thousands of dollars.

 
 
 
Written by Arnie Lee
 
 

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Like many other dedicated photographers, I’ve somehow accumulated a sizable stash of photo equipment over the years. I’ve also gained a lot of experience knowing what equipment I’ll need for a particular type of shooting.

My last two assignments were a combination of travel and outdoor shoots. My aging back and wobbly knees beg me to travel as lightly as possible for two reasons: a) to minimize the size and weight of the load that I carry and b) to reduce the amount of time I need to get ready for any given shot.

Since I don’t like carrying camera bags or backpacks, I rarely carry extra lenses. On hikes, it’s a chore for me to search for the right lens and change it on the fly, especially if wildlife is the subject matter. It’s far faster for me to slide the desired camera/lens setup on its shoulder strap up to my eye and be ready to shoot in a few seconds.

After these two recent assignments, I’ve zeroed in on a reasonable set of cameras and lenses to use when traveling long and far. I based my choice on the range of the lenses that I typically use: a very wide angle, a medium range telephoto zoom and a long range telephoto zoom.

For several years, I’ve come to rely on Sony’s NEX series of mirrorless cameras. Not only are they compact and lightweight, but they have several features that I appreciate such as the electronic viewfinder which instantly previews your exposure adjustments and a mode that captures in-camera panoramas. One drawback of these mirrorless cameras is that there isn’t a long telephoto lens available. For this I have to stick with a full-frame Nikon DSLR.

Here’s the short list that I’ve found works well for me: For very wideangle, I use a Sony NEX7 with a manual focus Rokinon 8mm fisheye. For the medium telephoto, I use a Sony A6000 with a Sony 18-200mm lens. For the long telelphoto, I use a Nikon D600 with a Nikon 80-400mm lens. As you can see, the Nikon DLSR setup is monstrous next to other two cameras. But lugging this heavyweight around is the price I have to pay for the lens’ long reach.
The NEX7 is a very a very capable camera. I like its large 24mp APC-C sensor, excellent electronic viewfinder and brightly lit tilting LCD. The 8mm Rokinon lens is about 1/4th as large as my expensive fisheye lens for Canon DLSRs. Using the Rokinon lens I have to manually focus and set the exposure so it’s less convenient than the Canon setup. But the savings in bulk is a major plus for me. Below are a few photos using this setup. The extra wide angle lets me record everything in front of me. I especially like how the fisheye exaggeratingly bends the horizon.
The A6000, Sony’s successor to the NEX7 is also mirrorless. Feature wise it is very similar to the NEX7 except that it has a superior autofocusing mechanism. This enables high speed captures at frames rates up to 11fps. When not traveling, the A6000/18-200mm setup is my everyday camera. With a large zoom range I have a wide angle to medium telephoto in a single lens. When traveling, it becomes my primary camera with the other two cameras reserved for special points of view. Below are a few examples that illustrate the versatility of the 18-200mm lenss.
The Nikon D600 is a full-frame DLSR with a 24mp sensor. It weighs in at two pounds which is twice as much as the A6000. The Nikon 80-400mm zoom lens weighs just under three pounds making this setup a combined five pounds. Although this is hefty to carry, the lens lock (prevents the zoom from unintentionally sliding) keeps it secure while carrying it with a shoulder strap. This long telephoto comes off of my shoulder mostly for the long distance shots such as these below.

So there you have it, my equipment of choice for outdoor photography. Of course, not everyone has the same preferences or requirements in the field as myself so this set up may not work universally. But for me being properly equipped has proved to be an ideal way for me to work comfortably, quickly and efficiently.
 
 
Written by: Arnie Lee
 
 
 
 

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