Wedding & Portrait Photographers International Convention – Part 2

Here’s a follow up to yesterday’s report from the WPPI Convention. Below are several more of the exhibitors with whom I stopped to talk about their products.

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The Spider Pro Camera Holster is a safe, hands-free way to carry your camera. A study bracket mounts to the bottom of your camera and securely clips to a wide, padded belt. The unit can be locked to prevent the camera from accidentally falling. The price is about $135. A second lightweight model is designed for smaller point-and-shoot cameras. For more information, contact Spiderholster

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HiTi was showing their P110S portable, “on-the-go” printer. This rechargeable battery-powered unit weighs less than five pounds and is typically carried in a shoulder bag and tethered to your camera. It prints 4″ x 6″ thermal prints in about a minute. The P110S is useful for fast, portable printing, for example event photographers who want to deliver “instant” prints. The price of the P110S is less than $400. For more information contact HiTi

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Recently, I reviewed the Eye-Fi Wireless SD-card here. The Eye-Fi transfers your images from the SD card (while it is still in your camera) directly to your PC or Mac computer via your wi-fi network. At WPPI, I ran into Ziv Gillat, one of the co-founders of the company. Ziv showed me this adapter into which you can insert an Eye-Fi card to add the wireless capability to DSLR cameras which use CF-cards. It’s compatible with later model DSLRs which support the UDMA protocol. He tells me that the CF adapter is available for about $20.

Ziv was also excited to tell me of an upcoming firmware upgrade for all Eye-Fi users in a few weeks. This upgrade lets you configure your Eye-Fi card to automatically upload your images to a server of your choice via a iPhone or Android phone. This is especially useful for making a backup of your images. For more information, contact Eye-Fi

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I’m back tomorrow after I attend the last day of WPPI exhibits.

 

Written by Arnie Lee

 

Wedding & Portrait Photographers International Convention – Part 1

February 21, 2011

The WPPI holds its annual convention here in Las Vegas. My original plan was to fly here from Grand Rapids on Sunday. But the weather man kept telling me that Sunday was going to be a no-no because of the umteenth snow storm that was closing in on the midwest. So I rescheduled my flight and arrived here late Saturday and beat the foot of snow that closed highways, schools and activities.

The convention started on February 17 and runs through February 24th. There are two parts to the convention.

• the first part are dozens of seminars led by some of the best names in the wedding and portrait photography business. Many of these professionals are versed in the creative styling, equipment selection, lighting techniques, printing selection and workflow while others are experts in the selling, advertising, promotion and business end too. I counted more than 100 different seminars with diverse titles as: “The Art of Light and Motion”, “Lightroom – step by step workflow for beginners”, “Winning Marketing Strategies”, “High Fashion Meets Wedding”, “The Power of Video Marketing” and “Your Wedding Business from Scratch to Success”.
• The second part of the convention is the trade show with more than 300 exhibitors including the major camera, lighting and photo printer services.

The WPPI management was predicting 13,000 attendees – an impressive number mostly owing to a very full and robust set of seminars. The high attendance suggests that these individuals understand the importance of investing in their profession.

Today I spent some time at the trade show. Here’s a few of the exhibitors with whom I stopped to talk about their products.

Here’s a look at some of the attendees crowding around one of the camera manufacturers booth. The major camera makers were there: Canon, Fuji, Leica, Nikon, Panasonic, Sigma and Sony. There were also dozens of lighting manufacturers, makers of camera bags and backpacks, tripods, backdrops, wireless flash syncs and printers. In full force were photo printing services. With so many wedding and portrait photographers attending, they were keen to show them the huge range of photo services offered.

Most of the recent cameras can now capture video. Switronix showed me this portable LED that provides lthe equivalent of 50 watts of daylight balanced lighting. This is the TL-50 and includes rechargeable NiMH batteries which can power the LED for an amazing 3 hours. Dave was handholding the TL-50, but the unit is lightweight and conveniently mounts on the flash shoe. Price is about $250. For more information, contact Switronix.

For portable flash units, LumiQuest makes several models of diffusers and bounce devices. Here Heidi is showing me the company’s most popular model, the Softbox III. To use it, you unfold the 8″ x 9″ flat package to this shape and attached it to the flash with velcro straps. I found that the unit was very study and can be used on-camera or off-camera. Price is about $45. For more information, contact LumiQuest.

At the Hoodman booth, I had a demo of their Cinema Kit Pro. Designed especially for the videographers, the mounting bracket sits on the flash shoe and swings up and down to provide a magnified view of the LCD without any reflection or interference from sun or room light. If you have trouble seeing the LCD as you capture videos, this device makes it easy to monitor the detail. Price is about $180. For more information, contact Hoodman.

Epson had many of their professional line of printers on display. I had my eye on the new Epson 4900. The printer was spewing out gorgeous samples of 17″ wide photos and uses ten color cartridges. Designed especially for high quality, professional applications, the printer includes an in-line X-Rite SpectroProofer for exacting color management. Price for the 4990 is about is about $2500. For more information, contact Epson.

I’ll have more news from the show shortly.

Written by Arnie Lee

 
 

A quick look at the storage area for my photo equipment is a reminder of how many accessories that I’ve accumulated. My shelves are lined with camera bags, backpacks, filters, tripods, gorillapods, remote shutter releases, battery chargers, flash brackets, gps receivers, and many more.

Having used many dozens (perhaps hundreds) of accessories since the 1960s, I’ve had varying opinions about the usability of many of them. Some were worth their weight in gold while others weren’t worth the shelf space they were occupying and are no longer in my possession.

I’ve had a long history of making my own accessories. I’m signalling a short series of articles that I will be writing in coming weeks that show you how can easily make your own photo accessories to save you both frustration and money too.

Here’s a peek at the very inexpensive materials that I purchased to make the first accessory.

Stay tuned to see what we do with these items for the first project.

 
Written by Arnie Lee

 

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