Upcoming WPPI 2018 Conference & Expo

Having been part of the software, computer and publishing industries since 1980, I’ve been to Las Vegas more times than I care to count.

However the thought of another laborious trip out West isn’t going to keep me away from the Wedding & Portrait Photography International event this year. For the past several years I’ve thoroughly enjoyed this meeting where 200+ classes are taught by professionals covering a wide range of photography topics including lighting, posing, drone, video, baby/child, sports, school, printing, retouching, marketing and business. Among the instructors are many recognizable names: Tamara Lackey, Lindsay Adler, Julieanne Kost, Sue Bryce, Jerry Ghionis, Roberto Valenzuela and Joe McNally who will share their skills with the attendees.

In addition to the standard classes, there are smaller and more intensive sessions aimed at a limited number of attendees. And for those who’d rather be in a non-classroom setting there are multiple scheduled Photo Walks that provide hands-on learning.

I’m especially interested in the WPPI Expo. In the large exhibit hall you’ll meet with manufacturers and suppliers of photo equipment, accessories, photofinishing, presentation and framing, software and services. On the expo floor, various manufacturers present live demonstrations of their equipment and techniques. It seems that all of the major brands are on hand to demonstrate their products and answer your questions. I’ve made many purchasing decisions after having met with sales reps at earlier WPPI events..

This audience is taking in a presentation at the Canon booth

If you’re anxious to sharpen your photography skills, take a look at the many classes that are offered at the conference. Last year WPPI hosted about 13,000 professional and advanced photographers.

WPPI will take place February 24 to 28 at the Mandalay Bay Resort in Las Vegas. For more information please visit WPPI Conference & Expo.
 
 

By Arnie Lee
 
 

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Wrapping Up the Event

 

The cold and snowy winter days in Michigan have me longing for a warmer respite. So the call of the exciting Wedding and Portrait Photography International Conference and Expo is excuse enough for me to hop on a plane to visit the warm climes of Las Vegas.
The goal of the conference portion of WPPI is to hone the skills of professionals who specialize in weddings, portraits, video, school and sporting photography. Classes, seminars and photo walks are led by noted pros and educators who share their techniques with attendees to help grow their business. The expo portion of WPPI takes place in a huge hall where manufacturers of photo equipment, accessories, materials, and services can present their products to attendees. The venue for WPPI was the huge Las Vegas Convention Center. Event organizers told me that the show outgrew the space at MGM Center. The LVCC was easily able to accommodate the 13,000 attendees and 230 exhibitors.
Convention goers are attracted to WPPI by the many well-know photographers and instructors that conduct more than 200 different classes. You may recognize some of their names and work: Joe McNally, Sue Bryce, Joe Switzer, Lindsay Adler, Tamara Lackey, Me Ra Koh, Bambi Cantrell, Katrin Eismann, Bob Davis, Jerry Ghionis, Roberto Valenzuela and Julianne Kost to name a few.
At the expo, I made my way through the exhibit hall and stopped often to listen to many of the seminars and demonstrations sponsored by the major equipment manufacturers. Here’s a quick look at a wide variety of topics presented to attendees.
Lighting Techniques
A Nikon Demo
Self-Portraiture & Posing presented by Brooke Shaden	Posing the Family presented by Michele Celentano
Nikon Ambassador Dixie Dixon	with an attentive audience
Photojournalist Joe Bussink	Talking Mirrorless Cameras at Fuji
My stay in Las Vegas was short but I did talk to dozens of equipment and accessory suppliers during my visit to WPPI. As soon as I get my act together, I’ll review some of items that caught my attention.

 

 
Written by: Arnie Lee

 

 

Why I use filters instead of lens caps

Note: This is a followup to an article written more than a year ago.

It happened just a few days ago. As I was getting out of my car, one of my cameras slipped from my grip and dropped onto the cement floor. I picked it up believing that it would require a trip to the repair shop. On further examination I could see that the lens filter was shattered. I turned the camera’s power on and to my delight the viewfinder lit up brightly. Next I pressed the shutter half-way and was even happily surprised to see that the autofocusing was also working. I felt lucky AGAIN for this isn’t the first time that a filter gave up its life to save an expensive piece of glass.

In my photography early days, I was a faithful user of lens caps. Whenever I wasn’t shooting, I would snap the lens cap onto the lens. I considered this a safe way to care for my equipment. Of course, most of us also enclosed the entire camera inside its companion leather case. Yes, we were very protective of our precious equipment. And yes again, I spent a lot of time looking for misplaced or buying replacement lens caps.

When I acquired my first SLR at age 14, I quickly fell out of the habit of using lens caps. I may have inherited this trait from my photography mentor for whom I worked while still a student. John explained that removing a lens cap required too much time when you are trying to capture the action.

Instead, I began to using a filter on the lens to protect the front glass element. The filter prevents dust and dirt from accumulating on the lens surface. And the filter is easier and safer to clean. To this day I use either a high quality UV or Skylight filter for most of my shooting. Now that digital cameras have replaced film cameras I also notice that leather cases have all but gone out of style. I see very few them of them these days. But I do notice that many photographers still use lens caps to protect the glass in front.

I’m not here to make a political case for or against lens caps, only to suggest that filters offer more than dust protection for your lens. In addition, they can protect the front lens element from nasty scratches. Here’s my latest proof. I was carrying this camera into the house when it slipped out of my hand and onto the floor. As you can see the filter is shattered.

Of course my heart missed a few beats as I watch the camera as it hits the floor. However, after removing the filter I can see that the front lens surface remains untouched. In spite of the fall, the camera is working perfectly. Apparently the lens barrel took the brunt of the fall so I’ll have to repair the lens’ electronics.. But the glass is still pristine.

Again this isn’t the first time that I’ve had a mishap such as this. Actually, this is the third forth time that a filter has saved the front glass element of one of my lenses. This alone tells me that I should keep on buying filters for each of my lenses.

 

 
Written by: Arnie Lee

 

 

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