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Lens Settings and the Background
26th June 2022
How Size Matters
When picturetaking, most often I’m concerned about the subject that is closest to me. I’ll pick the length of the lens that emphasizes the subject.
But there are often times that I’ll want the subject to fit in nicely with the background. By using a zoom lens, I can compose the subject in the viewfinder by varying the lens length setting.
While taking these photographs, I stood in the same place at the same distance from the foreground subject. I changed only the length of the lens (using a 24 to 240mm zoom lens).
As I’m not verbally astute enough to give you a proper explanation, I’ll show you visually how changing the lens length interacts with the perspective of the background.
My favorite is the last photo taken with the longest lens setting which emphasizes the mountains in the background.
For those that are interested, the foreground subject is the Moulton barn along Mormon Row in Grand Teton National Park. The background are some of the iconic mountains of the Teton Range.

For reference this is a photo taken with an iPhone at 4.5mm (equivalent to 26mm lens)

full frame camera with lens set at 27mm

full frame camera with lens set a 37mm

full frame camera with lens set at 53mm

full frame camera with lens set at 66mm

full frame camera with lens set at 83mm
Running out of Ink?
15th June 2021
I quickly get tired of using my computer monitor to show others a photo or two. Of course one way to “fix” this is to make prints of these pictures. But this brings up another problem – making a bunch of prints quickly drains my ink cartridges and puts a dent in my wallet too.
A few weeks ago, I saw an advertisement for a printer that uses large, refillable ink tanks. My only hesitation was about the quality of the prints from a relatively inexpensive printer. With a money-back guarantee, I decided to go for it.
Sitting on my computer’s desktop is a folder labeled “To Be Printed”. As I take snapshots or find an interesting image, I drop it into this folder. By the time the printer arrived, I had accumulated close to a hundred images.
Here’s my experience with the Epson Ecotank 2720
Epson claims that they provide enough ink
“Wet” shots
25th July 2016
A “must-have” for the pool owner
For nearly thirty years my wife has been after me to build a swimming pool in our yard. Finally, I sort of succumbed to her pressure two years ago. But instead of building one, we found another home that already had a built-in pool.
I have to admit that the swimming pool has been a great addition for the family, especially for the grandkids who drop in regularly to cool off. This being our second summer as pool owners, we’ve hosted many ad hoc combination swim/BBQ dinners. This in turn has given me lots of opportunities to photograph the kids in action.
Late in 2013 I added a neat camera to my growing collection of equipment. The Nikon 1 AW1 had just been introduced as the first rugged mirrorless, interchangeable lens camera. The feature that won me over was the AW1’s underwater capability. Without having to use a bulky and expensive housing this compact unit is usable down to 49 feet. Additionally, it is shockproof from falls up to 6 feet and can operate in temperatures as low as 15 degrees F. Along with the camera, I opted for two lenses: a zoom 11-27.5mm (30-74mm equivalent) and a fixed 10mm (27mm equivalent).
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For extra protection, I ordered two accessories: the orange silicone protective jacket and the convenient hand strap.
Here’s a sampling of how I use the AW1:
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As an old school shooter, I’m both comfortable and used to messing around with the camera settings. However with the AW1, I’ve come to use it almost as a point-and-shoot camera. Of course the overwhelming number of images that I’ve shot have been in and around the pool, usually with lots of sun. Although I’ve haven’t changed the ISO, white balance, aperture nor shutter speed on the AW1, the photos have turned out well.
For those occasions when the natural light is low, pop up the built-in flash which works underwater too. Press the red-dotted button and you’re shooting movies – either above water or below water. And of course I can change lenses from the zoom to the fixed wide-angle.
All in all, I have found the AW1 great not only in and around the water, but it performs well on dry land too.
Written by: Arnie Lee
Saved Again
16th October 2015
Why I use filters instead of lens caps
Note: This is a followup to an article written more than a year ago.
In my photography early days, I was a faithful user of lens caps. Whenever I wasn’t shooting, I would snap the lens cap onto the lens. I considered this a safe way to care for my equipment. Of course, most of us also enclosed the entire camera inside its companion leather case. Yes, we were very protective of our precious equipment. And yes again, I spent a lot of time looking for misplaced or buying replacement lens caps.
When I acquired my first SLR at age 14, I quickly fell out of the habit of using lens caps. I may have inherited this trait from my photography mentor for whom I worked while still a student. John explained that removing a lens cap required too much time when you are trying to capture the action.
Again this isn’t the first time that I’ve had a mishap such as this. Actually, this is the third forth time that a filter has saved the front glass element of one of my lenses. This alone tells me that I should keep on buying filters for each of my lenses.
Written by: Arnie Lee
Mylio – Organization +
24th March 2015
Organizing your Collections
The proliferation of high quality mobile devices has given professional and non-professional photographers alike more alternatives for capturing, storing, managing and displaying their images. But at the same time using multiple devices has made it more difficult for them to keep their collections orderly.
At the Mylio booth at the Wedding & Portrait Photographers International Expo I stopped to have a demonstration of their software and service that addresses many of the issues that crop up when using multiple devices.
Mylio bills its product as a rich photo management system to organize, edit, synchronize and safeguard a large collection of images.
For more information about this service, please visit Mylio.
Written by Arnie Lee
PhotoPlus Expo 2014 – Masterpix
20th November 2014
Corning’s Gorilla Glass Photos
As I was browsing the aisles, I came across a booth with a display of many brilliant photos. I learned that all of these photos were printed directly on glass.
Currently you can order photos online, directly from Corning’s Masterpix website. They are available in these sizes: 5×7, 6×6, 8×10, 11×14, 16×16 and 16×24. The ordering process is simple, choose the size, upload your image and enter your delivery and payment information.
For details on these glass presentation frames, visit Corning’s Masterpix website for full details.
Written by: Arnie Lee
Am I Equipped Right?
30th September 2014
Like many other dedicated photographers, I’ve somehow accumulated a sizable stash of photo equipment over the years. I’ve also gained a lot of experience knowing what equipment I’ll need for a particular type of shooting.
My last two assignments were a combination of travel and outdoor shoots. My aging back and wobbly knees beg me to travel as lightly as possible for two reasons: a) to minimize the size and weight of the load that I carry and b) to reduce the amount of time I need to get ready for any given shot.
Since I don’t like carrying camera bags or backpacks, I rarely carry extra lenses. On hikes, it’s a chore for me to search for the right lens and change it on the fly, especially if wildlife is the subject matter. It’s far faster for me to slide the desired camera/lens setup on its shoulder strap up to my eye and be ready to shoot in a few seconds.
After these two recent assignments, I’ve zeroed in on a reasonable set of cameras and lenses to use when traveling long and far. I based my choice on the range of the lenses that I typically use: a very wide angle, a medium range telephoto zoom and a long range telephoto zoom.
For several years, I’ve come to rely on Sony’s NEX series of mirrorless cameras. Not only are they compact and lightweight, but they have several features that I appreciate such as the electronic viewfinder which instantly previews your exposure adjustments and a mode that captures in-camera panoramas. One drawback of these mirrorless cameras is that there isn’t a long telephoto lens available. For this I have to stick with a full-frame Nikon DSLR.
So there you have it, my equipment of choice for outdoor photography. Of course, not everyone has the same preferences or requirements in the field as myself so this set up may not work universally. But for me being properly equipped has proved to be an ideal way for me to work comfortably, quickly and efficiently.
Written by: Arnie Lee
A Simple Photo Gallery
25th May 2014
Showing Off Your Photographs
Digital gives us the opportunity to take hundreds and hundreds of photos for almost no cost at all. This is an amazing turnaround compared to the price of using film cameras that had a processing charge saddled to each roll of film that we shot.
So what are we doing with all of these “free” photos? Are they sitting on the SD memory card or cell phone? I’m sure that my friends and relatives are impressed as I flick through the tiny screen to show them my recent vacation shot – NOT!
Well, to be frank, my fingers are tired of flicking the screen. And my friends and relatives typically avoid asking to see pictures of my travels. So I decided to print – yes you heard it correctly – print some of the photos.
Material List:
2 pieces of J-Channel – 10′ Vinyl 1/2″ J_Trim @ $2.40 each (Home Depot)
1 pkg – plastic ribbed anchors #4 – 1″ @ $7.99
1 pkg – 8″ x 10″ or 8″ x 12″ mat board 25 sheets @ $12.50
1 can 3M General Purpose 45 spray mount @ $5.00
Written by: Arnie Lee
Rogue Safari
26th March 2014
Flash Extender
In the next few articles, I’ll review a few of the more interesting finds from the exhibit floor.
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Below are unretouched photos without any flash compensation. Clearly the Safari does a good job of extending the range of the camera’s pop-up flash. | |
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![]() Taken using the pop-up flash with the Safari |
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Rogue says that the Safari works best with lenses that have a focal length of 100mm or greater. My simple tests proved equally effective using both Canon and Nikon cameras. You may want to dial down the flash compensation if your subject is close to the flash.
The Safari sells for about $35. For more information, please see www.RogueSafari.com
Reviewed by Arnie Lee
Getting Personal
03rd December 2013
Camera Brands are like Religion
Not a week goes by without someone asking me what brand of camera they should buy, a Canon or a Nikon.
Most of the time they’re wanting to replace their good quality point-and shoot camera. They’re looking for more advanced equipment along the lines of a DSLR.
Having owned or used literally dozens of cameras, especially in the past five years, I have a definitive answer which I’ll share with you shortly. But what I find interesting is that so many photo enthusiasts also have very definite answers to this question.
Let me back up a bit and explain why I’m writing this.
A Facebook friend wrote that he was looking for a new DLSR. “Should I buy a Canon or a Nikon?”, he posted. I replied “or a Sony?”. The point I was trying to make was that there are more choices than only Canon and Nikon.
A few minutes later there were many more replies on his Facebook status: “Nikon”; “CanonCanonCanon”; “I shoot Nikon”; “I use a Nikon D90”; “Canon definitely”; “I have a Nikon 5000”; etc.
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It’s not surprising that a camera brand is a very personal choice. It is as though each photographer is pleading with my friend to heed only his or her suggestion. Isn’t proselytizing their brand like forcing a person’s religion onto another?
Yet when I think about it I was doing the same. I was suggesting that a Sony NEX camera is similar to DSLR but without the weight and bulk. And since I am very fond of carrying lightweight equipment, I frequently use a Sony NEX camera.
Of course I could have chosen a different way to respond to his initial post by asking a few qualifying questions: will he be taking lots of sports or action; are movies part of his photography repertoire; how much money does he have to spend.
But frankly these qualifying questions don’t matter much.
Here’s my answer to his question: it doesn’t matter if you choose Canon or Nikon. Both have equally capable cameras in the various price ranges. And Sony also has equally capable cameras. One could argue that Pentax and Olympus also offer quality models too.
There’s too many slanted opinions for my friend to make his choice based on all of the Facebook replies. I hope my friend makes his choice based on how the equipment feels in his hands; getting the most features for the price; availability and affordability of additional lenses; past experience with previous purchases.
What do you think? Any comments?
Written by: Arnie Lee
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