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The early days of picturetaking had me carefully setting up to take that spectacular photo, sending the film off to develop and patiently waiting for the prints come back from the photofinisher. Unexpectedly I experienced much disappointment when I looked through the returned pictures only to see my favorite subject as a blurred image. The cause may have been my sloppy focusing or me shaking the camera while using a slow shutter speed. No matter, the result was a missed opportunity.

When I review my large collection of photos – especially the older ones – I’m amazed how many aren’t “tack sharp”. Before the advent of autofocus cameras, we had to rely on manual focus techniques to keep the lens properly set. And before the advent of higher ISO film, we had to rely on stabilizing techniques to minimize the camera shake. In my younger days I must have been a photographer with sloppy habits and this explains why I have a bunch of blurry photos from back then.

A few weeks ago I learned of a software product that supposedly “fixed” blurred photos. After reading a couple of reviews of Topaz AI I decided to give it a try. In addition to sharpening images it can reduce image noise and can boost image resolution.

Topaz AI can be used by itself (standalone) or as a plug-in (helper) for Adobe Lightroom or Photoshop. I have used it as a standalone but most often as a plug-in for Lightroom.

Here’s a quick look at how Topaz AI can make those blurry pictures go away.


 
Below is a photograph taken with film in the early 1970’s using a manual focus camera. You can see that the original image on the left is not quite in focus.
 


Here I’ve started Topaz AI to process the original image. This is the Topaz AI screen. On the left half of the split screen is the original image while the right half shows the improved image. On the far right is the control panel. By default the software analyzes the image and applies the changes that it believes will improve its appearance.


 

This is an enlargement of the Topaz AI control panel.

At the top is a thumbnail of the original image. Move the thumbnail rectangle to view different parts of the original image.
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In this case Topaz has used its Autopilot settings to find a subject’s face in the original image, apply medium noise reduction and sharpen the subject in the image. You can override these settings if you do not care the resulting changes.
 
 
 
 
 
 

You can see that the buttons to Remove Noise, Sharpen and Recover Faces have already been activated (blue) but the Enhanced Resolution has not been activated (grey).

If you want to increase the resolution of the original image (Upscale), you can do so by selecting 1X, 2X, 3X, 4X or Max. You might use this if you’d like to make a poster size enlargement from your original image.

I did not increase the image resolution.

The dimensions of the resulting image are displayed below the enhance resolution choices.
 
 
 
 
Making changes to the settings are not permanent until the image is saved so you can make various adjustments until you achieve results that are favorable to you.


Here are portions of the original and “fixed” versions of the image.
 



original image – click to enlarge

image processed with Topaz AI (click to enlarge
Clearly you can see that Topaz AI has done a remarkable job in removing the cause of the bad focus in original image.
 



Next is a second image that suffered from focus blur caused by my rush to capture the bighorn sheep before it got away. The original was taken in May 2022 using a digital camera:
 

You can see that Topaz AI automatically applied the Remove Noise and Sharpen features to the original image. I did not need to use Enhance Resolution.


Below are portions of the original and improved images of the bighorn sheep.
 


original image (click to enlarge)

image processed with Topaz AI (click to enlarge)
 
Without any changes to the Topaz AI settings this software has produced an amazing image. It has saved another one of my photos from the “throwaway” pile.
 



 
I’m impressed Photo AI’s ability to fix the few dozen blurred images that I’ve thrown at it over the past few weeks. But what’s just as impressive is how easy this software is to use. So far it’s lived up to the AI that is part of its name.
 



 
For those of you who may be interested in this software, you can get a free trial version for either Mac or Windows personal computers. Visit Topaz Labs and look for the Photo AI package.

 
 
 

In this final Part 3, I’ll show you additional examples of some of the innovative and easy-to-use features that make the Sony Alpha A55 my recent favorite camera.

You can read about the “standard” features of the Sony Alpha A55 in Part 1 of my review. And in Part 2, I describe my experience using several of the A55’s unique features.


D-Range Optimization

When shooting a scene that has high contrast, you may notice that the shadow areas are likely to lack detail and/or the highlight areas are overexposed.

To counter this tricky lighting, the A55 offers D-Range Optimization that compresses tones to preserve detail in both shadows and highlights.

This feature is not unique to the A55; Canon offers a similar feature which it calls Auto Lighting Optimizer and Nikon uses the moniker Active D-Lighting.

However, the A55 offers five levels of D-Range optimization. To use it, press the dedicated D-Range button on the top of the camera to reveal the DRO menu item and toggle between Auto, Lv 1, Lv 2, LV3, Lv 4 and Lv 5.

In the high contrast winter photos below, you can see that the D-Range reveals much more shadow detail at Lv 5.


D-Range off

D-Range Lv 1

D-Range Lv 5

High Dynamic Range – in-camera

The A55’s High Dynamic Range (HDR) feature has a similar goal as D-Range Optimization, namely to maintain detail in shadows and highlights. HDR photography attempts to reduce the contrast levels of a scene so that the scene can be displayed with maximum detail on a print or display device.

For the last few years, HDR has been popularized by using software to combine multiple images within the computer. The A55 is one of the first to offer it easily and automatically in-camera.

For HDR, the A55 take 3 successive photos with varying exposures (bracketed). To use it, press the dedicated D-Range button on the top of the camera to reveal the HDR item. Then toggle between Auto, 1.0 EV, 2.0 EV, 3.0 EV, 4.0 EV, 5.0 EV and 6.0 EV. For example, when set to 3.0 EV, three images are captured: one at the normal exposure, one at 3 stops overexposed (+3.0 EV) and one at 3 stops underexposed (-3.0 EV).
The A55 then writes two images to the SDHC card: one at the normal exposure and a second that has been processed to combine the predominantly shadow detail from the +3.0 EV capture, the predominantly highlight detail from the -3.0 EV capture and the predominantly midtone detail from the normal exposure.

normal exposure

HDR 3.0 EV

normal exposure

HDR 5.0 EV

normal exposure

HDR 6.0 EV
Some users are surprised that the HDR images appear to have low contrast, but this is a by-product of having to reduce such a wide range of exposure values to level suitable for a display device or printing.

While it may not produce acceptable results in all situations, I’ve been happy with many of the A55’s HDR images that I’ve captured.

Note that HDR is not available unless the A55 is set to capture JPG only images (not RAW).


Multi Frame Noise Reduction – in-camera

Multi frame noise reduction is the A55’s “stealth” feature. For some reason, it hasn’t been widely promoted by Sony. In fact, I didn’t know about multi frame noise reduction until one of the Sony reps explained its use to me at a recent trade show.

When set to use this feature, the A55 captures six successive images and merges them to produce a single image with lower noise.

Once again, it’s simple to use. Press the ISO button and set the topmost item (labeled ISO) between Auto and 25600. Press the shutter release to capture the scene and a short time later after it is processed, the image is written to the SDHC card.


Left: image captured at ISO 1600;
Right: image captured at ISO 3200 with multi frame noise reduction.
Click to see an enlargement.

You can also click here
to see a more detailed full size image

Briefly, the process works like this: the camera automatically takes 6 frames at the currently settings: shutter speed, aperture, and ISO. It combines them into a single JPEG image by carefully aligning the 6 frames during compositing while at the same time using proprietary techniques to reduce noise level equivalent to two ISO exposure levels.

Above, you can clearly see that the noise level of the rightmost image is significantly less than the leftmost image even though it was captured at a higher ISO setting. I experienced an equally reduced noise level in several other images that I shot in low lighting conditions. So I find multi frame noise reduction to be a very useful yet unexpected feature.

Note that multi frame noise reduction is not available unless the A55 is set to capture JPG only images (not RAW).


Sweep Panorama – in-camera

While I’m a fan of panoramas, the task of setting up a tripod, adjusting the camera to capture a series of images, post-processing the individual images and finally pasting them together afterwards using stitching software often takes a few hours.

With the A55, you can create a panorama automatically. First, you set the mode dial for panoramas. From the shooting menu, you can select either 2D or 3D panoramas.

For 2D panoramas, you choose a direction for panning: left to right, right to left, up to down or down to up direction and a format: standard or wide.

For 3D panoramas, you choose a direction for panning: left to right or right to left and a format: 16:9, standard or wide.

As its name suggests, to capture a scene you press and hold the shutter while slowly sweeping (panning) the camera in the chosen direction. After a specified number of images are captured, shooting ends and the A55 stitches together the separate images to create the panorama and writes a single one to the SDHC card.

It’s as simple as that. You’ll want to take a few test shots to determine the speed at which you should sweep the camera. To guide you, the A55 displays helpful text messages in the viewfinder with shooting suggestions.

Below are a pair of panoramas that I captured – one with the camera held in the horizontal orientation and the other with the camera held in the vertical orientation.

Death Valley panorama captured horizontally 8192 x 1856 pixels

Bryce Canyon panorama captured vertically 3872 x 2160 pixels
I also captured a few 3D panoramas. However, to display a 3D panorama, I had to have a 3D television and special eyewear. The 3D panoramas are very impressive.

The 3D panorama will appear as a 2D panorama if you do not use a 3D television nor special eyewear.

I really enjoy the ease at which I can capture a landscape using the Sweep Panorama.


Earlier in the review, I mentioned that I’ve had extensive experience with a large variety of DSLRs. These range from low-priced entry to expensive professional level. I mention this so that you understand that my fondness for the Alpha A55 is not just “puppy love”.

When I first learned about the Alpha A55, I was amazed by the number of innovative features that Sony claimed to have packed into this new body. In the two months that I’ve used this camera, I remain impressed by the results that I’m seeing in the images and the ease with which I am able to capture them.

If the Alpha 55 is any indication of the kind of innovation that we might expect from Sony in coming months, I’ll be anxiously watching for more.

It looks like Sony has a winner. The Sony Alpha A55 is certainly a winner in my book.

 

Written by Arnie Lee

 


Unique Features of the Sony Alpha A55

The Sony Alpha A55 has a long list of features – some of which you may find in a few other cameras and others that are unique only to the A55. But taken together they they make the A55 a very compelling piece of equipment.

In Part 1, I talked about the “standard” features of the A55.

In this part of the review, I’ll key in on several of these features that are both unique and innovative.

The first three features are possible because of the A55’s translucent mirror.


Electronic Viewfinder

The first time I used the A55, I was surprised when I put my eye up to the viewfinder. In place of a conventional reflex viewfinder used in DSLRs, the A55 has an electronic viewfinder (EVF). The resulting image is somewhat similar to what I might see on a miniature television.

A big advantage is that the image in the EVF can be overlaid with a variety of information as you can see below.


viewfinder displaying the level gauge in the center

viewfinder displaying histogram at bottom right

viewfinder showing changeable settings
Having used a dozen or more DLSRs extensively, it took me about a week to get used to the EVF. As a wearer of eyeglasses I was able to set the built-in diopter adjustment correctly for my vision. The image is bright and clear owing to the 1.1 megapixel viewfinder screen, a high refresh rate (60fps). The EVF also has 100% field coverage. I especially like the level gauge that helps to align the horizon.

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