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Black & White to Color – Instantly
27th March 2023
Not Quite Magic, But Amazing Nonetheless
Like many photography buffs, I subscribe to Adobe Creative Cloud that provides me a set of applications for editing my images. For all of the years that I’ve been using the computer for photography, I’ve never been a regular user of Photoshop. While I’ve used it on occasion I’ve instead relied on the company’s younger offspring Lightroom for most of my image editing.
As a subscriber I receive regular electronically delivered newsletters about Creative Cloud. A few weeks ago one of the articles drew my interest – colorizing black and white images.
Those of us who grew up taking pictures in the 1950s and 1960s have a large stash of black and white photos – and I have my share. I clicked on the article to find out more about this magical process.
The process involved using one of Photoshop’s built-in filters. Being a Photoshop novice I was unfamiliar with these filters so I had to dig deeper.
Well it turns out that I didn’t have to dig very much. The newsletter explained that the only thing I needed to do was to choose “Neural Filter” from Photoshop’s top menu and then click the “Colorize” button. Instantly – yes instantly – the black and white photo was converted to a color version.
The images are colorized using a best guess model that Adobe employs. The processing is not perfect but most of the images that I tried turned out acceptable. The few inconsistencies that I noticed did not detract from the overall results. And a few of the colorized images exceeded my expectations.
Below are a few of the B&W’s – including some of my favorites – that I was anxious to try.
I’m still excited when I find another older black & white photo that I can colorize.
Written by: Arnie Lee
An Unexpected Image
03rd August 2022
A Miscue Turns a Photo Into a Favorite
During the 60’s my favorite pastime was photography.
Having only an after school part time job, I used used many techniques to make an expensive hobby more affordable.
I remember buying 100-foot long “bulk film” to reload 35mm cartridges into shorter five foot 36-exposure lengths. This was enough for 18 cartridges of film – enough for the summer season for about the same cost as buying 6 individual rolls of Kodak or Ansco film.
Next I learned how to develop my own film. I constructed a small darkroom in my parents’ basement where I would hang the still-wet film on a clothesline to dry. Not long after I earned enough to buy an enlarger. Wow, I was in photo heaven. The enlarger let me make my own prints and I would patiently watch the image slowly appear (under a safelight) in the developing solution. I was having all of this fun for a fraction of the cost of sending the spent film to my local photofinisher.
Mine was a hobby was like that of many others where you just seem to keep spending your earning for the latest gadgets – easel for holding photographic paper, new developing trays for bigger enlargements, paper dryers for drying prints, color drum for making color prints, etc.
Perhaps you can now see that my association with photography goes back a very long time.
From all of those years spent in the darkroom in the 60s and 70’s there is one event that I remember well. It was a darkroom miscue that had a happy result.
But first a quick intro to how to develop a roll of 35mm black and white film:
In a dark, lightproof room, you remove the exposed film from its cartridge and slide it onto a metal reel. The reel is placed into a stainless steel tank with a specially designed top which lets you complete the development in normal room light. Pour the developer solution into the tank for a designated time – usually 6 to 8 minutes and then pour the developer solution out of the tank . Next pour plain water into the tank for one minute to halt the film development and discard the water. Then pour in the final solution called fixer for 5 minutes. This desensitizes the film from light and makes the image permanent. Now it’s safe to remove the film from the tank and give it a final rinse wash in water for ten minutes.
These operations are done with all of the liquids – developer, water and fixer – at a temperature of 68 degrees F. On one occasion, I inadvertently washed a developed roll at a colder temperature. I wasn’t paying attention and unknown to me at the time the final rinse water must have been a lot colder.
I removed the film from the reel and hung it on a line to dry. But when I finally looked, several of the frames looked very weird.
Sometimes a mistake turns into a favorite.
Written by: Arnie Lee
My Long Affair with Photography
18th April 2014
During my college years, I completed my formal photo training by working at two different high end processing labs servicing the Madison Ave advertising agencies. In the 60’s, a process called “dye transfer” was used to make photographic reproductions for the high quality magazines like Vogue and Harper. Here is where I learned processing from the ground up: making color separations from original transparencies for printing using cyan, magenta and yellow dyes. Despite commuting between my home in New Rochelle and the photo labs in New York City and the long working hours, I thoroughly enjoyed the job as I continued to learn different aspects of photography. |
At college I taught at the photography club and introduced my girlfriend to darkroom techniques. By the way, Kris is now my wife and hates the darkroom. I was a staff photographer for several university organizations and earned extra cash by photographing fraternity and sorority events. |
Following college, Kris and I were married and shortly thereafter, photography took a backseat to raising a family, putting bread on the table and becoming involved in the software industry. Although I took and accumulated thousands of photos during this period, the bulk of these were of family faces and of the scenic vacation variety. |
Skip forward 30 years to the mid-1990s. My company Abacus, was involved with flight simulation software and I’m taking more and more aviation related photos. I now find myself dabbling in the new world of digital photography. The stars are finally aligned and I’m ready to marry two of my long time interests: photography and aviation. With digital, the equipment and processing techniques are radically different from conventional film photography. |
Several years ago, I received a surprise email from John Margotta, my photography mentor from the 1960s. I was happy to hear that at an age of 80+, he’s still immersed in photography. He’s produced some artistic renditions of still life using his “Photoshop-equipped darkroom”. His approach to photography is a lesson that hi-tech isn’t reserved only for the young. |
Lucikly, I’m finding that most of the basics that I started learning 50+ years ago are still relevant. After all of these years, I remain very excited and passionate about my love of photography. |