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The Rest of The Story

This article is the another in a series of articles that I’ve called “About this photo” to draw attention to a few of those memorable photos that may be hiding in a shoebox or on your hard drive.

I’ve been wanting to visit the iconic Horseshoe Bend for many years and I finally had my chance a few weeks ago.

As its name suggests, the Colorado River makes an abrupt 270 turn in the shape of a horseshoe. It’s located downstream from the Glen Canyon Dam and Lake Powell near the city of Page, AZ. Drive 5 miles south on US89 from Page and you’ll see a gravel parking lot. From there a half mile hike on a moderately sloped dirt trail brings you to the overlook.

I arrived late in the day and found quite a few onlookers and photographers awaiting the sunset.

 

 

The overlook is about 50 yards across and provides a wonderfully wide view of the river – both upstream and downstream. The Colorado sits below the jagged cliffs about 1000 feet down.

These spectators are standing pretty close to the edge of the cliff. And while I love the scenic surroundings, I am not a big fan of steep cliffs so I made it a point to stay behind this couple.

 

There’s plenty of room to accommodate dozens of visitors without feeling crowded.

As you can see these photographers had lots of space in which to set up their equipment while waiting for the sun to go down.

From this vantage point, the cliff on which they are standing looks safe…….

 

However, in this next photograph I’ve stepped away from the edge so that you can see the rock platform on which they were positioned.

These people are a lot more brave than me. I couldn’t bring myself to stand next to them. I wasn’t about to stand just inches from the cliff’s edge that drops down by a thousand feet. No, not this photographer.


 

So how did I get this unobstructed view of Horseshoe Bend?

As Paul Harvey would say here’s “the Rest of the Story”.

 

My shooting position was immediately to the left of the four photographers with tripods. To take this photograph, I laid on my stomach and carefully crawled to the edge of the cliff. My camera was safely hanging from my neck by its strap.

Since I had a very wide angle lens (15mm), I first took a deep breath to get some courage, leaned over the edge, calmly composed the scene in the viewfinder and finally snapped about three shots.


 
So there you have it. By itself, this Horseshoe Bend photograph certainly doesn’t tell the story behind it. To inject a slight bit of humor here, let me say that I’m not afraid of heights, only of falling from them. I wasn’t going to leave the overlook until I had my shot. A little dirt on my clothes is the price that I had to pay to get it.

 
Written by: Arnie Lee

 


 

 

Dad and World War II

This article is the another in a series of articles that I’ve called “About this photo” to draw attention to a few of those memorable photos that may be hiding in a shoebox or on your hard drive.

Shortly after World War II broke out, a group of U.S. military recruiters visited New York City’s Chinatown. They were forming an all-Chinese battalion to serve in the China, Burma, India theater. Dad was among the hundreds of recruits who volunteered (including three other men who would later become his brothers-in-law after the war).

Of course, Dad told us many stories about his early life. One of his stories took place during their advanced training at Camp Crowder, Missouri. Tired of eating the army-supplied mess, he and a few of the soldiers went into the nearby town to buy fresh poultry and groceries to prepare their own meals. Some of the townspeople were taken aback by these Chinese soldiers marching into town – they thought they were being invaded by the Japanese!

Soon they traveled by train to the West Coast for deployment to the Asian front. Dad said that the military was experimenting with a new transportation method. Instead of sending groups of ships in convoys, they were using unescorted liberty ships to stealthily avoid the Japanese navy. Their battalion was placed on one of three liberty ships which would leave Wilmington, CA bound for Calcutta, India a few days apart. Dad was on the second ship, the SS David Gaillard. As it turned out, the first and third ship were torpedoed by Japanese submarines and never made it to India.

 

As part of the 987th Special Signal Operations Company, they were to travel from Calcutta to Kunming, China to support General Clair Chennault and his Fourteenth Air Force “Flying Tigers”. To reach Kunming they would travel on roads though the Himalayas.

On several occasions Dad would mention the Burma Road on which the soldiers traveled to cross the mountains. He described the roads as being so steep, treacherous and narrow that if one of the vehicles became disabled they would have to push it over the cliffs so that the other vehicles could pass. Dad’s description has remained in my mind for many decades.

Last week I unexpectedly received an email from a friend from my high school days. I remembered that Ann’s father was the the noted photographer Arthur Rothstein who had a long and distinguished career as a photojournalist, editor and director of photography, teacher and mentor. His iconic images of the rural America are well-known. Annie’s email had me browsing through her dad’s collection where I stumbled across a group of photos in which he documented the war effort in the China, Burma, India theater. His photo perfectly captures the image that Dad had verbally drawn in my mind for so many years. Seeing the stark road snaking its way up the mountain was enough of an impetus for me to write this story. Thanks to Annie and many thanks to her father.

 

Like most other World War II military units, the Fourteenth Air Force has held many reunions for their members. The 55th Anniversary Reunion was held in 1997 and included the veterans that served in the China, Burma, India theater during World War II.

In the reunion program guide, I found this family photo. These four standing men are my father and his three brothers-in-law whom I referred to earlier. They are my uncles having married three of my mother’s sisters. And all four of served as part of the CBI theater.

This short story illustrates the reason that photographs matter to me. These two photos are valued keepsakes.

There’s a wonderful story behind many photographs. It’s not just the image, it’s the memories and emotions that accompany the image that matter.

 

To see Arthur Rothstein’s work, please visit his archives.

 

Written by Arnie Lee

 

 


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