You’ve probably come across a situation where you find a great photo opportunity but you cannot frame the photo properly because something is blocking your view in the viewfinder. There might, for example, be a crowd of people, a fence, tall shrub, wall, etc., directly in your line of sight.

One way is to use a camera with a movable LCD monitor so you can snap photos at awkward angles. Unfortunately, most point-and-shoot cameras and digital SLRs don’t have a tilt-and-swivel LCD monitor. Therefore, you may want to consider attaching a Flipbac Angle Viewfinder to your camera.

The Flipbac Angle Viewfinder help you compose shots at high and low angles.

The Flipbac isn’t fancy; it’s simply a mirror attached to a small wire frame that you can swing a couple of different directions. It does do, however, what it says it will do. It’ll help you compose shots at difficult angles. It does this by reflecting the LCD image on its mirror-like surface, which simulates a screen that’s able to tilt. You can use the Flipbac in either landscape or portrait mode.
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Nothing Beats The Simplicity of In-Camera Panoramas

 

When you want to take it all in, a panorama is a fun way to recreate a memorable view.

Most panoramas are made by taking multiple photos and painstakingly stitching them together with specialized computer software.

Over the years I’ve put together many such panoramas. Since I’ve made so many, I know the routine by heart. I usually build a panorama from six to ten separate images.

First I set the camera shutter speed and aperture manually so that the lighting remains constant throughout all of the images. Since altering the focus point between shots makes it almost impossible to later stitch the photos together, I also set the focus to manual and choose a focus distance for the most important part of the scene. To make sure that the horizon remains level in all of the exposures, I use a tripod and bubble level. To keep track of the images in a set, I place my hand over the lens and shoot to indicate that the next photo is the start of a panorama. After each exposure, I rotate the tripod head so that the next exposure overlaps the previous one by about 30%.
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Are you in the habit of holding your camera horizontally? Although it’s fine to shoot horizontally (called the landscape orientation) in many situations, keep in mind that holding your camera differently can dramatically change the impact of the photo. Have you, for example, turned your camera 90-degrees so you’re shooting vertically (called the portrait orientation)?

Look at these two photographs of the same sunrise scene. The photo on the left is horizontal (landscape) and shows plenty of the lake near the edges but not as much of the sunrise. The photo on the right is vertical and emphasizes the sunrise and the rays of the sun on the water much better.

Sunrise scene in horizontal (landscape)

Same sunrise scene but vertical (portrait)

Although it can be a little awkward at first to hold the camera vertically, you may be amazed at the difference it can make to the photo. This is especially true if you’re taking a photo of one person. It’s almost a crime not to shoot vertically in these situations because otherwise you’re wasting so much of the photo area at the edges.

The Old Mackinac Point Lighthouse

The same lighthouse but vertical

Even when you are shooting landscapes, you will find that, sometimes, the picture will look more dynamic when you hold your camera vertically.

The Mackinac Bridge horizontal

The same scene but vertical

Whether to shoot vertical or horizontal is all about experimenting which is easy to do with your digital camera. So the next time you’re holding your camera horizontally and take a photo, turn the camera 90 degrees and take the same photo again vertically. Then decide which one you like better.

Written by Scott Slaughter

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