Crystal Clear – doesn’t need apply to everything in your photo

 

One of the most convenient features of today’s digital cameras is their ability to automatically focus on your subject. The result is that we have fewer out of focus pictures. In fact, sometimes we end of with picture that have too much in focus.

Except for the least expensive models, most digital cameras have the one or more “selective” focusing options.

For example, when shooting portraits, one technique that’s often used is to focus carefully on the face while at the same time throwing the background out of focus. This technique allows the photographer to “zero in” on the main subject. The key to “defocusing” the background is to set the lens to use a large aperture (smaller f/stop number).

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In this photo I’ve focused carefully on the young girl’s face. In automatic mode, the camera set the lens for a relatively small (f/11 aperture) keeping much of the background in focus and a bit distracting.	For this shot, I also focused on her face. However, by setting the lens to a larger aperture (f/3.5), the background appears largely out of focus. The face becomes the center of attention.
Of course this technique is not limited to portraits or faces. Notice the house in the background in this snapshot.	In this snapshot using a large aperture, the house is barely distinguishable making the lily more prominent.

 

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Quick tip for selective focus:

• Set your mode dial to “A” -(aperture preferred automatic exposure)
• Rotate the control dial until the smallest f/stop (largest aperture)
• Focus on your main subject
• Shoot

 

 

Written by Arnie Lee

 

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Sometimes it pays to move in close

 

For portraits, conventional composition has you surrounding your main subject with a “border” – space around the face

For a more intimate look at your subject, throw away the rulebook!

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In this photo, the young girl’s face has an interesting look but the background is slightly distracting.	Here we’ve moved closer to subject, eliminated the background and keyed in on her eyes and her giant smile.
By including the yard in this photo, we’ve caught this young lady in action but lost the emphasis of her face.	Again, by moving in close (or zooming in) we’ve changed the feel from an action shot to a portrait.

 

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By simply minimizing or eliminating the border, you’ll key in on the all important eyes and face of your subject. The next time you’re shooting faces, try filling the frame.

 

 

Written by Arnie Lee

 

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Adding Action to Portraits

 

As a grandfather with a camera, I’m very often snapping away when the grandchildren are nearby. So it shouldn’t be surprising that I have hundreds (maybe thousands) of photos of these kids in my collection.

Yesterday, three of them were out playing in our backyard. Here’s a few snapshots that I took. I’m a big fan of trying to incorporate action into these portraits. You be the judge of whether the action helps to make the picture.

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My favorites are the candids. These are shots where the subject is totally unaware. When they’re preoccupied with having a fun experience, they may not know that you’re “spying” with your camera.
Obviously this is not a candid. Eden knows that I’m taking her photo	But here she is unaware that I’m snapping away
When it’s not possible to be totally candid you can use a semi-posed action shot. The action helps to avoid a face that’s preoccupied with the picturetaker.
This full length portrait of Logan shows little motion	Here the angle of the shot emphasizes his action on the slide
With a little patience, you can turn a static shot into a live action photo. A few minutes after taking the photo on the left below, she was being doing calisthenics – making the photo on the right much more exciting.
Here Ezra is clutching the wooden post that’s supporting the swing set	Here she’s showing me the agility that I wish I could still muster.

 

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While each of the left-hand photos are OK, I’ve learned that adding a little action to the mix can turn my snapshots into real “keepers”.

Do you agree?

 

 

Written by Arnie Lee

 

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