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Accidental Reporter

28th December 2015

Have Camera, Will Travel

One of my former careers was developing, publishing and marketing software for the tiny flight simulator industry. This fact alone entitled me to become a very big fan of aviation, even though I’ve loved all things that fly since I was a kid.

I’ve also had a lifelong affair with photography. Whether on the road for business or pleasure I always have a camera as a traveling companion. This was the case several years ago when I was on a long haul from Grand Rapids to Sydney.

My flight by way of Los Angeles arrived at Sydney’s Kingsford Smith Airport early in the morning. While reading the local Sydney newspaper I learned that the first commercial flight of the Airbus A380 would be arriving from Singapore that afternoon. This was exciting news to me – for years I had been following the creation of this monster aircraft. Right then I decided that I would return to airport following a scheduled meeting in nearby Silverwater.

 
 
When I later returned to the airport, the lobby overlooking the tarmac was jammed with loads of very anxious onlookers. After considerable wrangling I was able to find a small standing space next to a window from which I could view the arrival gate.

The wait was about 30 minutes. Due to the inclement weather, you could see only the faint lights of the A380. They grew larger and somewhat brighter as the aircraft approached the runway. As the aircraft touched down, the crowd broke out into cheers and applause. Flight SQ380 then hurried past us, exited the runway and made a U-turn to taxi to the awaiting gate. Down below on the tarmac, scores of workers and dozens of vehicles were on hand to greet the arrival.
 
 

 
 
I was lucky to be at the right place at the right time. Being able to report on the arrival of this Singapore to Sydney flight back in 2007 is another reminder to me to continue to carry a camera while traveling.

And of course I was able to use the camera to take a few sightseeing pictures as well.

 
 
Written by Arnie Lee


 
 

PhotoPlus Expo

09th November 2015


 
 

The PhotoPlus Expo is the largest photography show in the US. This year more than 21,000 photo professionals and enthusiasts flocked to New York City’s Jacob Javits Center to attend the various events. These included more than 100+ classes conducted by 140 speakers covering posing, lighting, equipment, software, services, business techniques and strategy. In addition there were 15 photo walks across the New York City landscape in which participants were mentored by noted professionals.

I took an interest in the more than 250 exhibitors covering more than 100,000 square feet of space and demonstrating their goods and services.

 
 


Following are some of the exhibits that I stopped by during my visit to PhotoPlus Expo.


There were an abundance of live seminars and demonstrations on the expo floor. These covered a large gamut of photo topics: better use of equipment, lighting techniques, wedding and portrait sets, directing and posing subjects, post-processing and software usage.

Many well-known photographers and educators were on hand for the seminars and floor demos: Hanson Fong, Joe McNally, Lindsay Adler, Tamara Lackey, Terry White, Julianne Kost, Scott Kelby to name a few. With more than 100 classes, there is learning for every photographic category.


Equipment

For those interested in trying new cameras and accessories, all of the major manufacturers had exhibits and representatives to demonstrate their wares and answer questions. Even hard-to-find accessories such as these long lenses were available for hands-on trial for the many interested photographers.

 


Services

Many attendees use the services available at PhotoPlus to clean and/or service their equipment Here is a Canon rep cleaning a DLSR while the owner waits. The major manufacturers Canon, Nikon, Sony and Panasonic all had technicians on hand to provide service to those with extended service contracts. They also provided complimentary cleaning.

 


Barber Shop Leather Accessories

I was attracted to goods at the Barber Shop booth. They had a very attractive collection of leather camera straps and cameras bags. Barber Shop is an Italian company and these goods were exquisitely stylish and solidly made. For more information visit Barber Shop.


LowePro Camera Bags

Based on my many years of satisfaction with their products, I stopped at the LowePro booth. On display were several dozen of backpack style camera bags in sizes varying from small for a single camera to extra large for two cameras with six or more lenses.

I took to their Urban Reporter which looks more like a messenger bag rather than a conventional camera bag. It has room for a laptop, a large camera and ample padded storage for several lenses and accessories.

I also saw their new DroneGuard. This is a case designed to carry a drone (e.g. DJI Phantom) and accessories. This makes transporting the drone convenient and safe.

You can learn about their product line by visiting LowePro.


Urban Reporter 350

DroneGuard

Tornado Hexcopter Drone

Drones are available in many different sizes and sport a wide variety of features. It’s almost essential that these flying devices have excellent digital equipment, stabilization and easy control if the desired end result is quality photography and video.

At the Yuneec booth, the Canadian company’s product director Mark Padilla gave me a demonstration of their Tornado H920. This professional drone has a lightweight carbon fiber body controlled by a sophisticated remote that includes “pilot view”, video downlink and instrumentation.

The camera provides full 1080 HD. Since the drone’s landing pods are retractable, the camera has an unobstructed view. Additionally, it is mounted on a controllable 3-axis gimbal for steady shots.

For more information please contact Yuneec.

Below you can see Mark giving me a demo of the Tornado H920:

 



Cotton Carrier Harnesses

As an outdoor photographer, I typically carry two or more cameras on assignment and headed to Cotton Carrier to look at their products.

Their “vest” holds one or two handsfree depending on the options selected. Each camera is held to the vest using a locking connector and leash. They also have a Speed Belt for holding a camera at waist level.

You can learn more about their lineup at Cotton Carrier


Epson SureColor P800

Over the years I’ve owned several professional quality printers. The most recent was limited to 13″ wide prints.

I’m now interested in a printer for making larger prints and stopped to talk to the Epson representative who demonstrated their new SureColor P800. This device can make 17″ wide prints on a very wide variety of papers, has several paper handling features including roll feeder, uses large capacity ink cartridges with enhanced black and white printing. The samples produced during the demo were superb. The SureColor P800 is now on my wish list.

You can find out more about the P800 by visiting Epson.


Kodak PixPro SP360 Action Camera

Kodak’s Rep Amanda Drain gave me a demo of their innovative PixPro SP360 Action Camera. As its name suggests, it captures 360 degrees as 1080p HD video.

The camera itself is a cube with a dome on top. It’s weather resistant and ruggedly designed to withstand drops and knocks. It has Wi-Fi and NFC connectivity and can be controlled with either IOS (Apple) or Android devices.
To see samples of the 360 HD video and for more information please visit Kodak PixPro.


If you’re ready to experience the PhotoPlus Conference next year, mark your calendar for October 19-22 at Jacob Javits Center in New York City.

Written by: Arnie Lee
 
 


 
 
 

Saved Again

16th October 2015

Why I use filters instead of lens caps

Note: This is a followup to an article written more than a year ago.

It happened just a few days ago. As I was getting out of my car, one of my cameras slipped from my grip and dropped onto the cement floor. I picked it up believing that it would require a trip to the repair shop.

On further examination I could see that the lens filter was shattered. I turned the camera’s power on and to my delight the viewfinder lit up brightly. Next I pressed the shutter half-way and was even happily surprised to see that the autofocusing was also working.

I felt lucky AGAIN for this isn’t the first time that a filter gave up its life to save an expensive piece of glass.

In my photography early days, I was a faithful user of lens caps. Whenever I wasn’t shooting, I would snap the lens cap onto the lens. I considered this a safe way to care for my equipment. Of course, most of us also enclosed the entire camera inside its companion leather case. Yes, we were very protective of our precious equipment. And yes again, I spent a lot of time looking for misplaced or buying replacement lens caps.

When I acquired my first SLR at age 14, I quickly fell out of the habit of using lens caps. I may have inherited this trait from my photography mentor for whom I worked while still a student. John explained that removing a lens cap required too much time when you are trying to capture the action.

Instead, I began to using a filter on the lens to protect the front glass element. The filter prevents dust and dirt from accumulating on the lens surface. And the filter is easier and safer to clean. To this day I use either a high quality UV or Skylight filter for most of my shooting.

Now that digital cameras have replaced film cameras I also notice that leather cases have all but gone out of style. I see very few them of them these days. But I do notice that many photographers still use lens caps to protect the glass in front.

I’m not here to make a political case for or against lens caps, only to suggest that filters offer more than dust protection for your lens. In addition, they can protect the front lens element from nasty scratches.

Here’s my latest proof. I was carrying this camera into the house when it slipped out of my hand and onto the floor. As you can see the filter is shattered.

Of course my heart missed a few beats as I watch the camera as it hits the floor. However, after removing the filter I can see that the front lens surface remains untouched.

In spite of the fall, the camera is working perfectly. Apparently the lens barrel took the brunt of the fall so I’ll have to repair the lens’ electronics.. But the glass is still pristine.

Again this isn’t the first time that I’ve had a mishap such as this. Actually, this is the third forth time that a filter has saved the front glass element of one of my lenses. This alone tells me that I should keep on buying filters for each of my lenses.

 

 
Written by: Arnie Lee

 

 


 

 

 

 

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