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PhotoPlus Expo – Leica X2
13th November 2013
Retro at a High Price
For much of the mid-20th century, the Leica name was synonymous with finely designed 35mm film cameras and superb optics. But as the industry moved from film to digital, the company seemed to have lost it footing and missed the opportunity to maintain its technological and engineering edge.
Leica hasn’t given up.
As I walked the aisles of PhotoPlus Expo, I couldn’t help but stop when I spotted these amazingly bright colors starring me in the face. This was the Leica’s booth and these are their X2 cameras. |
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Surprisingly, the cameras are available in ten different leather trims. If nothing else, this fact alone makes the X2 a statement in style. Notice the matching straps and protective case. It sports a 16MP APS-C sensor, a fixed 24mm f/2.8 Leica designed lens, 2.7″ LCD in a very compact package. Leica likes to say this is the only digital camera made entirely in Germany, stressing its handmade workmanship. For more information, see Leica X2 |
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Above is my Leica M3 film camera from the 1950s |
You can see that the X2 inherits a lot of its looks from the M3. Leica is betting that the “retro” look of the X2 will prove to be an attractive selling feature. I found the X2 to be very eye-catching.
If you’re a believer in the Leica pedigree, you may want to take a deeper look at the X2. Reviews of the X2 are mixed. While the camera is well built, it doesn’t have features which separate it from the competitors’ offerings. And the X2 significantly pricier than the other brands.
The X2 sells for about $1995. Accessories include matching leather strap, protective case and an electronic viewfinder.
Written by: Arnie Lee
PhotoPlus Expo – Sony a7
05th November 2013
Full Frame Mirrorless Interchangeable Lens Camera
At this year’s PhotoPlus Expo, I made it a point to visit Sony’s booth to have a quick hands on their newly announced Alpha 7 camera. But first, here’s a little background that may help to explain why I take such an interest in the a7.
In 2010, Sony introduced the Alpha A55 with its unique translucent mirror. The non-movable mirror enables Sony to pack many innovative features into a space-saving SLT body that are missing from conventional DLSR cameras – accurate and continuous autofocus, real time electronic viewfinder, sweep panorama, multi-frame noise reduction, more. Since then I’ve been a user of two models – the A55 and a more advanced A65. Both produce excellent images. And since they are considerably smaller and lighter than the competitor’s equivalent models, they are less burdensome in the field.
These two SLTs cultivated my fondness for lightweight equipment. So I was very intrigued when I learned about Sony’s NEX series of compact camera. With an APS-C sensor, a NEX camera body is half the size of a DLSR yet accommodates interchangeable lenses owing to its mirrorless design. I soon acquired a lower-end NEX 5 to see if it met my requirements. I found it has image quality but I was not comfortable using the LCD finder with longer lenses. I then purchased the NEX 7 that sports an electronic viewfinder. Since then this has been my camera of choice owing to its excellent image quality, innovative feature set, compact lens size in an extremely lightweight package.
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the a7 with Carl Zeiss 55mm f/1.8 lens attached |
dedicated mode and exposure compensation dials |
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I am impressed with the small size of the a7. With the 28-70mm lens attached, the package is amazingly small and lightweight. While I wasn’t able to examine my test shots in detail, I’m confident that the full-frame sensor will delivery excellent images. In fact, I understand that Sony supplies this same sensor for use in Nikon’s D600 full frame DSLR.
So I remain in a quandary. Should I move from my very comfortable NEX 7 to this new full-frame a7?
Written by: Arnie Lee
On the Equipment Horizon
06th December 2010
At the PhotoPlus Expo this past September I stopped by the Sony booth. Having received pre-show information, I wanted to try their pair of new cameras – the Alpha A33 and A55. While both look and function like DSLRs, a more appropriate term might be DVF – Digital ViewFinder – since neither uses a reflex mirror. Instead, they sport a fixed translucent “mirror” that sends a small portion of the incoming image to the viewfinder and the remainder to the “film” light sensor.
This technology isn’t new. In the early 1960’s Canon made a model called the Pellix using a similar scheme with a pellicle mirror. My uncle bought this camera back then, one of the first to have Through The Lens metering (TTL) and it served him well for many years.
Sony believes that their updated translucent mirror has life in the 21st century. There are several advantages to such an arrangement. First, a static mirror eliminates the reflex mechanism providing a space, weight and cost savings. Removing this mechanical assembly also allows for a higher frame rate. Next, the electronics measuring the auto exposure remain uninterrupted from frame to frame giving instant responses to varying changes in lighting. Similarly, the auto focus system stays 100% available – a very important consideration for high speed continuous shooting. |