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Beyond the Faces

06th May 2011

Adding Action to Portraits

 

As a grandfather with a camera, I’m very often snapping away when the grandchildren are nearby. So it shouldn’t be surprising that I have hundreds (maybe thousands) of photos of these kids in my collection.

Yesterday, three of them were out playing in our backyard. Here’s a few snapshots that I took. I’m a big fan of trying to incorporate action into these portraits. You be the judge of whether the action helps to make the picture.


My favorites are the candids. These are shots where the subject is totally unaware. When they’re preoccupied with having a fun experience, they may not know that you’re “spying” with your camera.

 


Obviously this is not a candid. Eden
knows that I’m taking her photo

But here she is unaware that
I’m snapping away

When it’s not possible to be totally candid you can use a semi-posed action shot. The action helps to avoid a face that’s preoccupied with the picturetaker.

 


This full length portrait of Logan
shows little motion

Here the angle of the shot
emphasizes his action on the slide

With a little patience, you can turn a static shot into a live action photo. A few minutes after taking the photo on the left below, she was being doing calisthenics – making the photo on the right much more exciting.

 


Here Ezra is clutching the wooden
post that’s supporting the swing set

Here she’s showing me the
agility that I wish I could still muster.

 


While each of the left-hand photos are OK, I’ve learned that adding a little action to the mix can turn my snapshots into real “keepers”.

Do you agree?

 

 

Written by Arnie Lee

 


Enjoy those Winter Brights

24th January 2011

In my last article Fight those Winter Blahs, I pleaded that you not put your camera away for the winter. In our part of the universe (western Michigan), December through March are known to bring day after day of heavy, blanketed overcast. Along with these dark clouds come lots of dull lighting that tends to stifle the picture taking mood of many of us. I suggested that despite the dark skies, there’s plenty of opportunities to find ways to make your subjects “shine”.

So it was a very pleasant surprise to see today’s sterling bright sunshine. As I looked out the window, I could see a crystal clear blue sky and blinding reflections coming from our snow-covered lawn. But as I opened the front door to fetch the Sunday newspaper, the bone-chilling winds reminded me that a 10-degree temperature makes Grand Rapids feel like the Arctic.

After enjoying a cup of hot tea, a couple of the grandkids were prodding me to play outside in the snow with them. Despite the icy cold, I decided that I wouldn’t miss this chance to have some outdoor fun and maybe take a few winter photos too. So I tracked down my trusty ski jacket and soon followed the grandkids outdoors.

Don’t let the winter make you think hibernation. Look for those days when the sun will make an appearance. Think beyond the cold, endure the snow, ignore the clouds. Stay with it and make those winter photos shine. And have fun too!

 
Written by Arnie Lee

 

 

Portrait Tip # 3

10th December 2010

Portraits are one the most common type of photographs. We’d like to share some tips for taking better people pictures.

The “Eyes” Have It

When taking pictures of people, most viewers will tell you that it’s the eyes that catch and hold their attention. Here’s a few examples of how the eyes make a difference.


Here we have filled the viewfinder with the infant’s face. However her eyes are focused downward – pointing away from the photo.

Here the young girl is looking directly at the photographer. While she sports a serious visage, her eyes draw me into the photo.

This young lady is also looking directly at the photographer. Her large eyes become the center of attention and help “make the photo work”.

Here we’ve decided to move in and eliminate the forehead and the chin. The result is a photo that totally emphasizes the child’s bright, compelling eyes.

 

I think you’ll be rewarded if you are patient and wait for the subject’s eyes to meet the lens.

A complimentary tip – long ago my mentor taught me that before pressing the shutter button, I should make sure that the lens was carefully focused on the eyes. This has been remained essential words of advice since.

Written by: Arnie Lee

 


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