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Rogue Safari

26th March 2014

Flash Extender

The Wedding & Portrait Photography International event can be thought of as a conference of 260+ instructional classes for where photographers can sharpen and learn new skills and a huge expo where they can meet with more than 300 exhibitors displaying, explaining and selling all kinds of photographic equipment, accessories and services.

For two days, I roamed the two exhibit floors at the MGM Resort visiting with several dozen exhibitors as they showed me new camera models, innovative equipment and useful accessories.

 
In the next few articles, I’ll review a few of the more interesting finds from the exhibit floor.


 

Rogue is a maker of a variety of flash accessories. I got a hold of their a new device they call the Safari. This small unit sits atop of your camera’s pop-up flash to extend its range.

The Safari package comes with a couple of shoe mounts to fit on different model cameras. The mount slides onto your camera’s hot shoe. The Safari then slides onto the mount.

Your pop-up flash then “opens” inside of the Safari as you can see below.


Below are unretouched photos without any flash compensation. Clearly the Safari does a good job of extending the range of the camera’s pop-up flash.


Taken using the pop-up flash without the Safari

Taken using the pop-up flash with the Safari

Rogue says that the Safari works best with lenses that have a focal length of 100mm or greater. My simple tests proved equally effective using both Canon and Nikon cameras. You may want to dial down the flash compensation if your subject is close to the flash.

The Safari sells for about $35. For more information, please see www.RogueSafari.com
 
 
Reviewed by Arnie Lee
 
 
 


Your Mind’s Eye

30th November 2013

It May be too Limiting

What do you visualize of when you hear someone say that they are going to visit Colorado?

Most of us already have a picture in mind even before that person finishes his/her sentence.

It doesn’t matter if they are visiting New York City or Texas, Paris or Timbuktu. And of course it doesn’t matter if we’ve never before visited that place. We’re all influenced by our mind’s eye – the previous information and images that we’ve associated with that particular place.


This past year I visited Colorado on several different occasions.

As I reviewed a few of the photos taken during my visits, I found it interesting to see how these photos aligned with my idea of “Colorado” images.

These three photos contains what I most closely identify with Colorado: mountainous, snow, lots of wildlife.

 

 


 

 

Colorado, being a large state has quite varied terrain. So as not to shortchange Colorado, I wanted to take a few photos that expand my preconceived notion of the state.

These stacks of hay in Del Norte show that there’s plenty of farming and ranching here.

I believe that the yellow trees are aspens growing near Cortez – part of the high plains desert.

This leafless cottonwood tree sits close to a nearby stream near Salida – running water is another trademark of Colorado.


 
So I keep telling myself: don’t fixate on the “mind’s eye”. I tell the photographer in me to keep eyes wide to everything when traveling. Colorado is more than the Rockies, New York City is more than the Statue of Liberty, Texas is more than the Alamo and Paris is more than the Eiffel Tower.

 

 

 
Written by: Arnie Lee

 

 


 

 

Another Amazing Feat of Nature

The story goes that hundreds of years ago herds of antelope grazed on the grounds where natural forces carved an assortment of narrow passages through the sandstone to create what native Americans call Tsé bighánílíní or the place where water runs through the rocks.

This sacred Navajo monument is commonly known as Upper Antelope Canyon. This slot canyon is a phenomenal site to experience and photograph.

Since Antelope Canyon is a Navajo Tribal Park, access is is granted only through one of five guide services that operate from nearby Page, Arizona which is also home to the Glen Canyon Dam. I chose to take an extended 2-1/2 hour photographic tour.

I’ll illustrate my visit with photos that show you the scale of the passageways and canyon walls in relation to the size of an average visitor.


This is one of vehicles used by our tour operator. The ride from Page to the canyon entrance takes about twenty minutes.

Notice the vehicle’s sizable off-road tires.

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The canyon entrance is at the end of a long, sandy road, hence the need for off-road, four wheel drive transportation.

The road is actually a wide channel that serves to drain the watershed for a large part of northeastern Arizona.

With five tour operators, there is a steady stream of visitors coming and going.

This is the parking area immediately in front of the entrance. My experience was that each of the tours was well organized.


Judging from the size of the two photographers here, you can gauge the narrowness of the pathways in the slot canyon.

The color of the canyon walls varies greatly. Here the opening at the top of the wall is quite wide so it lets in a lot of bright light.

The pathways are very level making it easy to walk on the hard packed dirt surface.

You can see that the walls jut out randomly along the pathway. As you are walking, you need to take care not to bump your head or appendages.

The coloring is quite different here. The dim lighting accentuates the texturing of the rocks.


The widest part of the canyon is a cathedral-like alcove near the entrance.

Here the canyon opens to about 30 feet wide and the walls are simply splendid.


For anyone interested, I chose the 2-1/2 hour photographic tour from Antelope Canyon Tours. The cost was $80.

Before this visit, Antelope Canyon had been on my list of “must see” places for several years. Now that I’ve experienced this enjoyable place, I am again thoroughly impressed by Mother Nature.

 

 
Written by: Arnie Lee

 

 

 

 


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