Collectors Items

Among the many boxes stored in my basement are several older articles.

Some of them are photography related and may be of interest to those of you who like to investigate historical items.

Here are a few examples from which I’ve brushed off the dust.

Kodak No.4 Cartridge Camera
This booklet is for logging exposures for Kodak Cartridge cameras. For example, the Kodak No. 4 camera used 104 roll film that took 4″ x 5″ exposures.	This is an unused label normally used to return the exposed film to Kodak for processing. Notice the instructions for using the camera’s STOPS.
This is a Kodak No.4 Cartridge camera. Thx to Geoff Harrisson for this photo.
The booklet contains detailed instructions for longer indoor timed exposures and shorter outdoor exposures.	As you can see from the examples, the booklet dates back to the 1800’s.
American Photography Magazine
One of the popular photography magazines from 1939.	Another issue from 1941.
Sample Pages from American Photography Magazine
An advertisement from Kodak showing you how to set up a darkroom.	An advertisement for Voigtlander camera. Willoughbys was a reputable camera store in New York City for many years.
An advertisement for photographic lighting.	Asking readers to visit Yosemite National Park.
An advertisement for the Kodak Enlarger.
Leica M3 Rangefinder Camera
A photo of one of my legacy cameras – the Leica M3 rangefinder and a second telephoto lens.	While not as dated as the above examples, Leica started production in 1953.
Kodak Daylight Film Tank
From the 1940s is this Kodak daylight film development tank.	You are able to load and process the film without having to use a darkroom.
Watson Daylight Bulk Film Loader
As a young enthusiast without much extra money I used a daylight bulk film loader to save on the cost of film.	From a 100′ roll of B&W or color film you can load B&W or color film into reusable canisters. A 100′ roll of bulk film is enough for 18 36 exposure rolls.

 
 
Maybe I can find a few more items in the basement.
 
 
Written by: Arnie Lee
 
 
 

Discovering Black American

In 1978, we founded our parent company Abacus as a publisher of books and software. So for 35 years I’ve been involved with everything that accompanies the task of books – acquisition, contracts, manuscripts, editing, rewriting, printing, marketing, reviews, etc. The books that we publish are technical books: computing, electronics, aviation. While this gives me some expertise evaluating and reviewing books of this genre, I admittedly lack experience evaluating and reviewing history books.

Consequently, the mini-review that I’m about to give here is not based on my in depth knowledge of the subject matter. Rather it’s based only on my personal interest in this topic. Professionally speaking I’m not qualified to comment on history – but can you cut me some slack when I describe the book’s attractive layout and appearance, riveting content, easy reading, and many fine photographs and illustrations?

Discovering Black America is an in depth look at the forced settlement, migration, education, struggle, emergence and contribution of the Americans of African descent. I was surprised to learn that as early as 1500’s many of the early explorers to America were accompanied by black sailors. I read how the slave trade was fueled by the demand of southern farmers to establish and maintain a plantation economy. I learned how our archrival, the British, schemed to free tens of thousands of slaves during the Revolutionary War.

And so the author’s narrative continues methodically through the Civil War, the Reconstruction Era, the two World Wars leading up to the contentious Civil Rights movement and onto the surprising election of our first Afro-American President.

Discovering Black America is divided into eight chapters arranged chronologically. Each chapter has several sub-sections. I found the reading to be short and sweet – quite descriptive but without any fluff. I didn’t have any trouble reading a few pages at one sitting and being able to easily pick up from where I left off later. The chapters are generously enhanced by attractive sidebars that provide additional interesting detail. The author somehow manages to apply a matter-of-fact voice to some very depressing and disappointing periods of American history.

Overall, the 240-page hardbound book is printed on high quality stock. The large book is handsome enough to adorn your coffee table, but you’ll be much better served by reading rather than just looking at it. Oh, did I mention the fine photographs and illustrations that abound its pages?

Full disclosure: since I’ve been a Facebook user, I’ve rekindled numerous friendships from the past. One of these is with Linda Tarrant-Reid, the author of Discovering Black America. Since we both graduated from New Rochelle High School (New York) in 1967, you can judge for yourself how far back this “past” extends. Anyway I’d like to commend Linda on the fine work that she’s shared through her book.

Why a review at Stay Focused? Maybe we can attribute it to editorial privilege. While “stay focused” is a term that is commonly used in photography, it is also a phrase that suggests that we don’t become distracted from things that really matter. I’d like to think that understanding the black sub-culture in our country is one of those things that really matter.

For those interested, I bought my copy of Discovering Black America online from Amazon for about $21. I found the book to be well worth its price.
 
 
Title: Discovering Black America
Author: Linda Tarrant-Reid
Publisher: Abrams
ISBN: 9 780810 970984

Reviewed by: Arnie Lee
 
 

---

Need Some Inspiration? Look To The Past

Every photographer needs a boost of inspiration once in awhile. Perhaps there is no better way to get some needed inspiration than to look at the work of the great photographers of the past.

You may wonder why you should look at their photography. One simple reason is that we can learn from their work. They had to be good photographers. After all, we still view, respect and admire it today. Consider the equipment they were using at the time. And many didn’t have the advantage of learning from earlier photographers because they were among the first.

They grappled with exposure, lighting and shutter speed – the same things we tackle today with our digital photography. We can learn about photographic techniques – composition, mood, lighting, etc., from these early photographers that we may have not considered beforehand.

One name that is on everyone’s list is Ansel Adams.

“The Tetons – Snake River” by Ansel Adams, Wyoming, 1942 (Photographer: Ansel Adams | Courtesy U.S. National Archives)

Furthermore, there are many different styles of photography available. You can think of a favorite news photographer, sports photographer, fashion photographer, nature photographer and so on.

Where can you find these photographs?

The federal government is the best place to start because many of these photographs are in the public domain. I recommend visiting the National Archives website (www.archives.gov). They have a wonderful section called “Picturing The Century” with several galleries and exhibits (www.archives.gov/exhibits/picturing_the_century/galleries/newcent.html#).

Another website is the “Prints & Photographs Online Catalog” section at the U.S. Library of Congress (www.loc.gov/pictures/)

Why not check out the work of the famous early photographers? The following are some photographers and their work I came across while visiting these websites.

Dorothea Lange (1895-1965)

Even if you’re not familiar with her name, you’ve probably seen Dorothea Lange’s photographs.

Migrant Mother is arguably one of the most recognized photographs taken during the Great Depression. (Photographer: Dorothea Lange | Courtesy U.S. Library of Congress)

She was born in Hoboken, New Jersey. She became a photographer when she was eighteen years old at a time when there weren’t many women photographers. She, however, became one of the most influential American documentary photographers and photojournalists.

She’s best known for her Depression-era work for the Farm Security Administration (FSA). She brought out the despair, suffering and hopelessness that people endured throughout the Great Depression but with a compassionate and caring way. Her work had a tremendous influence on the development of documentary photography and continues to influence photographers today.

Photograph near Edison, Kern County California showing a young migratory mother originally from Texas. On the day before Lange took this photograph on April 11, 1940, the woman and her husband traveled thirty-five miles each way to pick peas. Each worked five hours and earned a combined $2.25. They and their two young children live in auto camp.” (Photographer: Dorothea Lange | Courtesy U.S. National Archives)

George Ackerman (1884-1962)

George Ackerman began working as a photographer for the Bureau of Plant Industry in 1910 and later worked for the Federal Extension Service in 1917. He photographed rural life as he traveled across the United States during his years working for the U.S. Department of Agriculture.

The total number of photographs that George W. Ackerman took in his years with the U.S. Department of Agriculture will never been known but it’s quite possible that’s more than 50,000 photographs. (One reason the total will never be known is that his photographs appeared in many private and government agricultural publications, but he wasn’t always given credit for them.) Although 50,000 photographs over forty years may not seem like many in our digital photography age, keep in mind this was years before digital and the equipment he used was large and cumbersome.

Photograph called simply “Farmer Reading His Farm Paper” in Coryell County, Texas, September 1931 (Photographer: George W. Ackerman | Courtesy U.S. National Archives)

Walter Lubken (1881-1960)

Walter J. Lubken is another photographer to take thousands of photographs after he was hired by the federal government. Lubken served as the official photographer from 1903 to 1917 for the United States Reclamation Service (USRS).
He carefully photographed over two dozen irrigation projects as well as other government sponsored projects throughout the western United States. This is very impressive when you consider that he had to travel with his large camera, glass-plate negatives and other supplies.

In addition to the irrigation projects, the USPS also asked Lubken to photograph the towns and fars near the irrigation projects. The USRS was preparing a series of articles that were to encourage people ot settle on land reclaimed from the desert through irrigation.

Lubken left professional photography after completing his work for the USRS but went back into photography in a big way in the 1930s when he photographed the building of Boulder Dam (now called Hoover Dam) near Las Vegas, Nevada.

This photograph of the Boise Irrigation Project in Idaho and Oregon shows workers testing the subsurface by drilling with diamond drills. The photograph was taken in August 1910 (Photographer: Walter J. Lubken | Courtesy U.S. National Archives)

Lewis Hine (1874-1940)

Lewis Hine was born in Oshkosh, Wisconsin and studied sociology at the University of Chicago, Columbia University and New York University. He used his cameras to help improve social reform in the United States.

He became the photographer for the National Child Labor Committee (NCLC) in 1908. Hine photographed and documented child labor in American industry for the next several years to help the NCLC’s lobbying efforts to end the practice.

His photographs, such as the following, were critical in changing the child labor laws in the United States.

This photograph is of ten-year old Rose Biodo from Philadelphia. She carried berries, two pecks at a time near Whites Bog, Brown Mills, N.J. The photograph was taken on September 28, 1910, which means school has already started but the people remained there for two more weeks. (Photographer: Lewis Hine | Courtesy U.S. National Archives)

Danny Lyon

Unlike the other photographers in this article, Danny Lyon (1942-) is still shooting photographs today and is one of the most original documentary photographers of the late 20th century.
Lyon grew up in a middle-class section of New York City and became interested in photography when he was seventeen years old. He studied history at the University of Chicago and in 1962 joined the civil rights movement. He soon became a staff photographer for the Student Nonviolent Coordinating Committee (SNCC).

Photograph of a grave marker in a smelter cemetery near South El Paso, Texas, July 1972. The Asarco Smelter Works is shown in the background. This is the cemetery is provided for employees (Photographer: Danny Lyon | Courtesy U.S. National Archives)

You’ll find many more photographs, galleries and exhibits at both the National Archives and the Library of Congress websites. In addition to many recognized photographers are “unknown” photographers whose work we can still enjoy today.

I hope you can spend a lot of time looking through the work of some of the great photographers of past decades. Maybe we can all gain some inspiration from these masters.

Written by Scott Slaughter

---

Newer Posts »