Like many other dedicated photographers, I’ve somehow accumulated a sizable stash of photo equipment over the years. I’ve also gained a lot of experience knowing what equipment I’ll need for a particular type of shooting.

My last two assignments were a combination of travel and outdoor shoots. My aging back and wobbly knees beg me to travel as lightly as possible for two reasons: a) to minimize the size and weight of the load that I carry and b) to reduce the amount of time I need to get ready for any given shot.

Since I don’t like carrying camera bags or backpacks, I rarely carry extra lenses. On hikes, it’s a chore for me to search for the right lens and change it on the fly, especially if wildlife is the subject matter. It’s far faster for me to slide the desired camera/lens setup on its shoulder strap up to my eye and be ready to shoot in a few seconds.

After these two recent assignments, I’ve zeroed in on a reasonable set of cameras and lenses to use when traveling long and far. I based my choice on the range of the lenses that I typically use: a very wide angle, a medium range telephoto zoom and a long range telephoto zoom.

For several years, I’ve come to rely on Sony’s NEX series of mirrorless cameras. Not only are they compact and lightweight, but they have several features that I appreciate such as the electronic viewfinder which instantly previews your exposure adjustments and a mode that captures in-camera panoramas. One drawback of these mirrorless cameras is that there isn’t a long telephoto lens available. For this I have to stick with a full-frame Nikon DSLR.

Here’s the short list that I’ve found works well for me: For very wideangle, I use a Sony NEX7 with a manual focus Rokinon 8mm fisheye. For the medium telephoto, I use a Sony A6000 with a Sony 18-200mm lens. For the long telelphoto, I use a Nikon D600 with a Nikon 80-400mm lens. As you can see, the Nikon DLSR setup is monstrous next to other two cameras. But lugging this heavyweight around is the price I have to pay for the lens’ long reach.
The NEX7 is a very a very capable camera. I like its large 24mp APC-C sensor, excellent electronic viewfinder and brightly lit tilting LCD. The 8mm Rokinon lens is about 1/4th as large as my expensive fisheye lens for Canon DLSRs. Using the Rokinon lens I have to manually focus and set the exposure so it’s less convenient than the Canon setup. But the savings in bulk is a major plus for me. Below are a few photos using this setup. The extra wide angle lets me record everything in front of me. I especially like how the fisheye exaggeratingly bends the horizon.
The A6000, Sony’s successor to the NEX7 is also mirrorless. Feature wise it is very similar to the NEX7 except that it has a superior autofocusing mechanism. This enables high speed captures at frames rates up to 11fps. When not traveling, the A6000/18-200mm setup is my everyday camera. With a large zoom range I have a wide angle to medium telephoto in a single lens. When traveling, it becomes my primary camera with the other two cameras reserved for special points of view. Below are a few examples that illustrate the versatility of the 18-200mm lenss.
The Nikon D600 is a full-frame DLSR with a 24mp sensor. It weighs in at two pounds which is twice as much as the A6000. The Nikon 80-400mm zoom lens weighs just under three pounds making this setup a combined five pounds. Although this is hefty to carry, the lens lock (prevents the zoom from unintentionally sliding) keeps it secure while carrying it with a shoulder strap. This long telephoto comes off of my shoulder mostly for the long distance shots such as these below.

So there you have it, my equipment of choice for outdoor photography. Of course, not everyone has the same preferences or requirements in the field as myself so this set up may not work universally. But for me being properly equipped has proved to be an ideal way for me to work comfortably, quickly and efficiently.
 
 
Written by: Arnie Lee
 
 
 
 

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Documenting the Memories

I have to admit that I like vacations.

I especially like the ones where we drive and see many different scenic parts of our vast country. Having just returned from another such jaunt, I’ve already recovered from being away from home these past few weeks. Here’s a look back to some of the photos that I took on the trip.

On this vacation we drove some 6300 miles and took in some wonderfully gorgeous areas including the Tetons, Yellowstone, Lake Tahoe, Yosemite, San Diego, Phoenix, Grand Canyon, Monument Valley, Mesa Verde and finally Rocky Mountain National Park.

My wife Kris and I left Grand Rapids and at this time in our lives, instead of traveling with our children we had four grandkids in tow. One of our goals was to drop off two of the grandkids in Reno. But these two also had a wish to see Yellowstone, so we set the GPS to guide us to Old Faithful. Afterwards we would meet up with several of our adult children and additional grandchildren as we made our way to additional destinations.

Naturally I had several cameras with me to record our travels. And while I thoroughly enjoy photographing the amazing mountains, canyons, monuments, waterways, forests, sites and scenery, more importantly are the photos that let me recall the precious time that we spent with our family.

Here’s some of the pictures that illustrate those moments.

Admiring Oxbow Bend in Grand Teton Nat’l Park	Waiting for Old Faithful in Yellowstone

In awe of Mammoth Hot Springs in Yellowstone	cooling off in the Firehole River in Yellowstone

at the swimming pool in Reno	aggressive paddleboarding at Lake Tahoe

inspecting the tufa at Mono Lake	colorful wildflowers of Tuolumne Meadows, Yosemite

surfing the Pacific in San Diego	catching a mermaid in San Diego

picking grapefruit in Phoenix	sitting on the edge of Grand Canyon

among the wonders of Monument Valley	straddling NM, AZ, UT and CO at Four Corners

As you can see, we visited some very gorgeous landscapes: incredible mountains, pristine wildernesses, jaw-dropping gorges, crystal clear lakes, raging rivers, enormous farmlands, five sensational national parks – just a vast array of features that make up our amazing country. And while I have many more images that record these places that we visited, I’m just as content to see the faces of the grandkids, many of which we get to see but once a year.

house warming at Mesa Verde

How lucky we are to be able to capture the smiles on their faces like this.	above the snow and clouds at Rocky Mountain Nat’l Park

 

 
Photographs are certainly a powerful way to record memorable events.

Whether I’m on vacation or not, I try to keep the most meaningful memories as part of my photos.

 

 

Written by: Arnie Lee

 

 

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How does 11 frames per second sound?

At the Wedding and Portrait Photographers International Expo last month in Las Vegas, I got a chance to handle Nikon’s newly announced D4s camera.

Although it’s lighter than the D4, it has a remarkable 16MP sensor that’s superb at high ISO settings. In fact we saw a demonstration of the camera at an ISO setting of 25600 and there was virtually no noise. With many other DLSRs sporting higher pixel counts, the D4s sacrifices more pixels in exchange for very superior noise reduction.

But the feature that caught my eye (actually my ear) is its high speed, rapid fire capability. Rated at 11 frames per second with continuous autofocus and autoexposure, this camera is will garner the attention of sports and action photographers.

I made a short recording at Nikon’s booth. The shutter sounds like a miniature machine gun. To hear it, please press the play button below:
 
 
      
 
 
Pretty impressive, if you ask me.
 
 

Although it’s a better performer in several respects, the new D4s is lighter weight than the predecessors D4 and D3s.

Nikon’s rep Paul Van Allen told me that the the D4s is already available. Price for the D4s body is steep $6,500.
 
 
Written by: Arnie Lee
 
 
 

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