A Miscue Turns a Photo Into a Favorite

During the 60’s my favorite pastime was photography.

Having only an after school part time job, I used used many techniques to make an expensive hobby more affordable.

I remember buying 100-foot long “bulk film” to reload 35mm cartridges into shorter five foot 36-exposure lengths. This was enough for 18 cartridges of film – enough for the summer season for about the same cost as buying 6 individual rolls of Kodak or Ansco film.

Next I learned how to develop my own film. I constructed a small darkroom in my parents’ basement where I would hang the still-wet film on a clothesline to dry. Not long after I earned enough to buy an enlarger. Wow, I was in photo heaven. The enlarger let me make my own prints and I would patiently watch the image slowly appear (under a safelight) in the developing solution. I was having all of this fun for a fraction of the cost of sending the spent film to my local photofinisher.

Mine was a hobby was like that of many others where you just seem to keep spending your earning for the latest gadgets – easel for holding photographic paper, new developing trays for bigger enlargements, paper dryers for drying prints, color drum for making color prints, etc. 

Perhaps you can now see that my association with photography goes back a very long time.

From all of those years spent in the darkroom in the 60s and 70’s there is one event that I remember well. It was a darkroom miscue that had a happy result.

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But first a quick intro to how to develop a roll of 35mm black and white film:

In a dark, lightproof room, you remove the exposed film from its cartridge and slide it onto a metal reel. The reel is placed into a stainless steel tank with a specially designed top which lets you complete the development in normal room light. Pour the  developer solution into the tank for a designated time – usually 6 to 8 minutes and then pour the developer solution out of the tank . Next pour plain water into the tank for one minute to halt the film development and discard the water. Then pour in the final solution called fixer for 5 minutes. This desensitizes the film from light and makes the image permanent. Now it’s safe to remove the film from the tank and give it a final rinse wash in water for ten minutes.

These operations are done with all of the liquids – developer, water and fixer – at a temperature of 68 degrees F. On one occasion, I inadvertently washed a developed roll at a colder temperature. I wasn’t paying attention and unknown to me at the time the final rinse water must have been a lot colder. 

I removed the film from the reel and hung it on a line to dry. But when I finally looked, several of the frames looked very weird. 

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The meshlike pattern that was imbedded into the film surface is called reticulation. Although this was result of an error in development I think that the resulting image of our first dog Candy is a winner.

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Sometimes a mistake turns into a favorite.

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Written by: Arnie Lee

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I’ve thoroughly enjoyed photography since I was a youngster. This in turn is the reason that my picture taking has spanned more than five decades.

I categorize the photos that I take into one of two “camps” – the snapshots and the memorable photos.

This article is the another in a series of articles that I’ve called “About this photo” to draw attention to a few of those memorable photos that may be hiding in a shoebox or on your hard drive.

Unlike some people who have photographic memories, I instead have memories about certain photographs.

Most of these special photographs were taken long, long ago. They are indelible and remain riveted in my mind. And so, in this “About this photo” series, I’d like to key in on one of these unforgettable photographs to bring you back to the time and circumstances under which it was taken.

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Taken late summer 1970, this is a photo of my girlfriend along Lake Michigan. We spent many weekends at this beach that summer. Usually the beach was very crowded, but on this cloudy and windy day, we had the run of the sand and shore to ourselves. The red lighthouse was a familiar site to anyone who knows this area and remains a key attraction to the beach today. It’s a lucky coincidence that my girlfriend’s jacket was about the same shade of red as the lighthouse. The reason that this photo is etched in my mind is that I’ve been married to this lovely lady for 50 years now.

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Now let’s skip forward some 40+ years. This photo was taken a few summers ago. Here we have two young girls having fun at the same location on Lake Michigan. You can see the same red lighthouse along the water albeit at a slightly different angle. These are two of our young grandchildren. As we were walking along the beach I was reminded of the 1970 photograph when we approached the red lighthouse. I asked the two girls to pose on the bench in the foreground. This photo captures the familiar feelings of warmth and affection that has somehow remained with me for more than 50 years.

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Along the way, I’ve taken a huge number of snapshots. However, the number of memorable photos that I’ve taken is far smaller. Yet it’s the memorable ones that have a magical ability to steer emotions, feelings and pleasure into our minds, even years later. Simply amazing.

 

Written by Arnie Lee

After You Finally Print That Cellphone Photo

The overwhelming number of photos these days reside on cellphones. It’s common see friends staring at a screen as one of them swipes to show you that funny picture that they captured a few days ago.

Once in a while you may have want to get that image off of your screen and into someone’s hand. You can send the digital copy to your home printer or email it to your local Walgreen (or other local printer) to have it turned into a “real” photograph.

When it’s finally printed you can clip it to your refrigerator door with a magnet, scotch tape it to a nearby wall or mail it to your grandma to show her your graduation gown and diploma. But you may want to print a treasured photo and turn it into a proud presentation.

Here’s a few ways that I’ve done this over the years.

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Dry Mounting
This large piece of equipment is called a dry mount press. A thin sheet of specially prepared paper is sandwiched between a mounting board and the back of the photograph. The heated press squeezes the sandwich for a short time leaving the photograph “pasted” to the board.
This press can handle photographs enlargement up to 20″ x 24″. Other dry mounting presses are available in smaller sizes.
Spray Adhesive Mounting
For smaller prints I sometimes use this adhesive spray. This one is made by 3M but other similar products are also available.
The adhesive is evenly sprayed on the back of the photograph. Place the photograph on a larger piece of paper or corrugate since the adhesive will “overspray”. You’ll want to do this is a non-enclosed space so that you don’t inhale the fumes. Carefully apply the photograph to the mounting board.
Ultra Board Mounting
I discovered a very convenient product for presenting photographs called “UltraBoard”. These products are available in various sizes and thicknesses from United Industries
Using an UltraBoard is simple. Unpeal the protective backing from the board and carefully position your photograph onto the surface.
The photograph is securely mounted to the flexible board and ready for presentation.

When you finally get those images off of your cellphone you now have few ways of making a presentation quality photo.

Why not show off your favorites without swiping your cellphone screen?

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Written by: Arnie Lee

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