Wedding and Portrait Photographers

In early March while still in the midst of Winter in the Midwest, I very much look forward to escaping for a few days to sun and warmth of Las Vegas to attend the Wedding & Portrait Photographers International Convention.

As its name suggests, the WPPI event is aimed at photographers who specialize in weddings and portraits. This year the conference included more than 160 classes taught by a number of well-known instructors: Lindsay Adler, Zach Arias, Bob Davis, Jerry Ghionis, Michael Greenberg, Peter Hurley, Scott Kelby, Sandy Puc and Jennifer Rozenbaum to name a few of the 170 instructors in all. Classes ranged from practical shooting techniques, lighting, posing, using specialized equipment and accessories, building and maintaining a growing client base, marketing, advertising and pricing.

WPPI is internationally known and more than 12,000 photographers trekked to Las Vegas from 64 countries to learn from other successful pros. Interestingly, more than 50% of the attendees were new registrants this year. My observation is that more than half of the attendees were women – suggesting that women are rapidly growing the wedding and portrait photography business.

In addition to the convention, there’s a large expo where the attendees can view the equipment, accessories, supplies and services offered by more than 300 exhibitors.

As you walk around the exhibit hall you’ll see live demo shoots, discussions and displays.

 

Jerry Ghionis demonstrating lighting techniques	Bambi Cantrell discussing wedding photography
Tamara Lackey explaining the importance of time of day	Demonstrating camera techniques at the Sony booth
Miller and GraphiStudio showing a myriad of album covers and photo book services

 
If you’d like the join the WPPI or if you can benefit from attending next year’s conference and expo, please visit the site WPPI Online site.

 
Please stay tuned for several upcoming articles about equipment and accessories that I reviewed at this year’s expo.

 

 
Written by Arnie Lee

 

 

 

 

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Simply put, my picturetaking falls into one of two categories: photos taken for “others” and photos taken for personal use.

Photos that I take for others are usually jobs in which the style of the photos is dictated by the needs and desires of the client. These may be a paying client or a freebie client such as a daughter’s birthday party or a sister’s passport photo. She may need a business head shot or he may want an illustrative photo of his industrial machine. A group may want me to photograph an evening event, a restaurant desires closeups of prepared dishes for its new menu or a school a recording of the championship basketball game. Regardless of whether it is a paying or a free transaction, the client generally has a lot of input as to how the completed photos will serve the end goal.

On the other hand, when I take photos for personal use I’m the client. I am free to shoot however, whereever and whatever I like. And as you might expect, this is where I feel the greatest freedom.

While it’s exciting to go on a special outing dedicated to photography, it’s not often that I can squeeze the time into my somewhat hectic schedule. But by keeping a camera nearby, I make it a habit of looking for quick opportunities to sneak in a picture of two.

I get a lot of pleasure photographing “everyday” things such as kids, pets, garden and the like. These are subjects that are close by so I don’t have to make special arrangements to shoot them.

	I get a big kick taking pictures of the grandkids. Here’s one that’s learning to eat her spaghetti elegantly.
	This pet is part of the family. I caught him as he was taking a breather after running his head off for the past 30 minutes.
	Sometimes it pays to look up(ward). This is a majestic sycamore tree at a nearby home. It looks naked because it sheds it bark regularly.
	These colorful day lilies arrive each Spring in our front yard. I shot this one soon after an early morning shower left a few drops.
	From a distance the furrows in the field look boringly straight and parallel. Closer up I can see that the terrain isn’t flat as a pancake and makes for a nice visual.
	You may be surprised by the things that you can spot around the neighborhood. This vintage auto was sitting in an empty lot. Great color and great restoration.

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I’ll leave you with this reminder: When you’re the client, you have the freedom to shoot whenever and whatever you’d like. Don’t fall into the “no time today” trap. Nor should you believe that the camera is only for special occasions. With a little preparation (i.e. keeping your camera close by), you can surely find a few everyday subjects to photograph.

Written by: Arnie Lee

 

a case for more activity

 

With fourteen grandkids, I feel very lucky to have ample opportunity to catch them on film.

And while I enjoy taking portraits of them – conventional static pictures of them at rest – I also like to capture them as they’re going about their youthful business.

Below are a few examples of each.

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Here I’ve asked Logan to give up a few seconds from playing in the sandbox and “hold still”.	In this shot I’ve caught Eden in the air just as she jumped onto the pavement as she emerged from the back door.
Both are pleasant enough pictures of each. But let’s look at a couple of other snapshots to see if there’s a different way to capture the kids.
Can you feel their joy as they slurp down the cold ice cream on a warm summer evening? For me, this is a more memorable picture.	Instead of another “smile please” snapshot, I was able to shoot Ezzie practicing her longboarding skills.

 

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You have a many choices when capturing kids. If you haven’t done so already, try shooting the young ones as they’re involved with their activities.

 

 

Written by Arnie Lee

 

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