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Sony A7 II

22nd March 2015

New Full Frame Mirrorless

I’ve been using several of Sony’s mirrorless cameras for three years or so. The three models that I regularly use are the NEX5, NEX7 and A6000 each with an APS-C size sensor. All three are compact and lightweight. Both the NEX7 and A6000 have viewfinders – a necessary feature that I expect in an advanced camera.

The A6000 has been my “go-to” camera for the past year. The quality of the images match up to those from the Canon 7D and Nikon D90 but with the added convenience of a noticeably smaller piece of hardware.

With this previous experience with mirrorless equipment, I went to the Sony booth at the Wedding & Portrait Photographers International Expo to have a look at the new full-frame Alpha 7 II.




The A7II has a full size 24MP sensor in a body that weighs a mere 21 ounces. This compares to the Canon 5D MkIII at 33 ounces or the Nikon D800 at 35 ounces. The physical size of these three cameras are (W x H x D) A7II is 5″ x 3-7/8″ x 2-3/8″ Canon 5D MkIII 6″ x 4.6″ x 3″ Nikon D800 5.7″ x 4.8″ x 3.2″

The A7II shares many of the same features of the A6000 including sweep panorama shooting mode, built in HDR, on board wifi connectivity, electronic viewfinder displays real time adjustments and tilting LCD screen. Unfortunately the A7II does not have a built-in flash as does the A6000. However the A7II records 4K video, sports fast “hybrid” autofocus and 5-axis image stabilization and 5fps still capture.

As far as lenses are concerned, Sony’s mirrorless versions (designated as FE-mount) do not share the same size and weight savings as the A7II body. But given that the body is about a pound less and considerably smaller in size, I felt that the weight savings would be a definite advantage for the type of shooting that I do in the field.

Sony also announced the release of these three lenses for full frame mirrorless:





The Sony rep also mentioned an upcoming 28mm f/2 lens that will also accept a 16mm fisheye converter and a 21mm ultra wide angle converter.

The suggested price is $2000 and is available about May 1st. For more information about the A7II, please visit Sony.

The bottom line – if you’re looking for a camera that provides the high resolution that only the mid-size format were able to deliver, the Canon 5DS (and 5DSR) has now lowered the entry price by thousands of dollars.

 
 
 
Written by Arnie Lee
 
 


WPPI 2015

20th March 2015

2015 Wedding and Portrait Photographers Conference

Each March I make it a habit of leaving the cold climes of Michigan to enjoy some warmth and sun. My destination is the WPPI Conference in sin city, Las Vegas.

 

From its name you can easily guess that the WPPI Conference is for photographers who are involved with weddings and portraits.

WPPI is mainly a learning experience for the 12,500+ participants. This year they attended more than 200 seminars, classes, demonstrations and photo walks taught by 150 expert speakers. Among many of the photographer-instructors were: Bambi Cantrell, Roberto Valenzuela, Julieanne Kost, Jerry Ghionis, Tamara Lackey, Clay Blackmore, Lindsay Adler, Bob Davis, Bruce Dorn, Gary Fong and Kevin Kubota. Subject matter included practical shooting techniques, posing, lighting, equipment, accessories on the technical end to marketing, advertising, pricing, client retention on the business end.
The WPPI show a staple in the photo industry – this was its 35th anniversary. It’s the premier show of its kind drawing photographers from 60 different countries.

Another side of WPPI is its huge 75,000 square foot Expo where some 275 vendors demonstrate and sell their newest equipment, accessories, supplies, software and services.

As you walk around the exhibit hall you’ll see live demo shoots, discussions and displays.

 



panel discussion at Nikon

entertainment at Plustek lighting


Bambi Cantrell

lining up to speak to Sony reps

 
To join the WPPI or learn more about the 2016 WPPI conference and expo, pleae visit WPPI Online site.

 
Please stay tuned for several upcoming articles about equipment and accessories that I reviewed at this year’s expo.

 

 
Written by Arnie Lee

 

 

 

 


Rapid Fire Nikon D4s

17th April 2014

How does 11 frames per second sound?

At the Wedding and Portrait Photographers International Expo last month in Las Vegas, I got a chance to handle Nikon’s newly announced D4s camera.

Although it’s lighter than the D4, it has a remarkable 16MP sensor that’s superb at high ISO settings. In fact we saw a demonstration of the camera at an ISO setting of 25600 and there was virtually no noise. With many other DLSRs sporting higher pixel counts, the D4s sacrifices more pixels in exchange for very superior noise reduction.

But the feature that caught my eye (actually my ear) is its high speed, rapid fire capability. Rated at 11 frames per second with continuous autofocus and autoexposure, this camera is will garner the attention of sports and action photographers.

I made a short recording at Nikon’s booth. The shutter sounds like a miniature machine gun. To hear it, please press the play button below:
 
 
      
 
 
Pretty impressive, if you ask me.
 
 

Although it’s a better performer in several respects, the new D4s is lighter weight than the predecessors D4 and D3s.

Nikon’s rep Paul Van Allen told me that the the D4s is already available. Price for the D4s body is steep $6,500.
 
 
Written by: Arnie Lee
 
 
 


 
 
 

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