Large Size Prints Without a Large Price

Some call me “old school” but I’m not a big fan of showing pictures on the tiny screen of my cellphone.

Quite often I print some of my favorite shots onto photo paper. With my Epson ET-3750 Printer I’ve made hundreds of 4″x6″ prints and dozens of larger 8-1/2″x11″ enlargements. In the two years that I’ve had the ET-3750 printer I have never had to change an ink cartridge. The printer’s large EcoTanks are refillable making the cost of the prints very affordable.

Every so often I’ll take a picture that I’d like to show off – meaning print a bigger enlargement. Earlier this year I found out about the Epson ET-8550 EcoTank that handles paper up to 13″x19″ at an affordable $600 price.

Here’s a few short steps for setting up the printer for use.

 

The shipping carton is about 30″ x 20″ x 10″ and weighs about 20 lbs.	The bright blue tape secures the parts during shipment is easily removed.
The printer uses four inks: cyan, magenta, yellow and black. The shipment includes a second bottle of black ink.	Each ink bottle fills the respective reservoir. The bottles are “coded” to prevent inadvertent filling mistakes.
You can visually view the level of each ink reservoir. The ink supply will yield about 2400 4″x6″ prints for about 4 cents each.	The bottom tray holds smaller paper (e.g. 4″x6″) and larger (8-1/2″x11″). The rear paper feeder holds larger paper up to 13″x19″.
Here is a completed 13″x19″ print. You can see the rear paper feeder.	You can compare the print size next to the 12″ ruler. This print was on standard ink print paper.

As you can see I’ve been able to make a bunch of big enlargements – at a reasonable price.

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The ET-8550 has other features other than its large print capability.

Wireless connection to your Mac or Windows PC
Two-sided printing
High resolution document scanning and copying up to 8-1/2″ x 14″
Handles variety of papers including glossy, matte, texture, cardstock

For those of you who like to print big – this is an affordable and capable printer.

 
 

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Warbirds up Close

For more than a 15 years in one of my previous careers, our company was immersed in the world of flight simulation.

One of the most enjoyable parts of the job was attend the many aviation air shows and events. Yearly we would trek to Florida, California, New York and Wisconsin to name a few places where we could see and touch a multitude of flying machines. My favorite time was strolling along side the many historic aircraft from World War II.

Here’s an up close look at of some of the warbird aircraft that we eagerly visited but from a slightly different viewpoint than you would ordinarily see.

Dakota Kid – North American P-51D Mustang
Marine’s Dream – Vought F4U Corsair
Hot Stuff – Lockheed PV-2 Harpoon
Miss Magic – North American T28B Trojan
Annie Mo – Vought F4U Corsair
VMF – unknown Marine Fighter Squadron aircraft
Panchito – North American B-25J Mitchell
Martha Jean – North American B-25J Mitchell

 
I think you’ll agree that there is certainly a lot of artistic pride and patriotic flavor to these fine examples of nose art.
 
 
Written by: Arnie Lee
 
 

A common belief among users of digital cameras is that if an image isn’t captured perfectly, it can be fixed with software. Yes, there are plenty of competent software packages that can perform magic on images that are in need of help.

I’ve been “saved” more than a few times by Photoshop (or Photoshop Elements, PaintShop Pro and Picassa too). But the idea that I can “fix it in Photoshop” should not be a license for me to practice lazy camera techniques.

Today’s digital cameras have a vast array of adjustments for capturing quality photographs under a wide variety of lighting conditions. Adjusting the camera for the best capture produces a better image than a sub-optimal capture that has to be fixed by software post-processing. Starting with a properly exposed image directly from camera should be the goal, even if you choose to enhance the color, tweak the contrast or lighten the shadows with software afterwards.